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Critical Terms for Art History

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Nelson, Robert S. (EDT)/ Shiff, Richard (EDT) 作者
University Of Chicago Press
譯者
2003-4 出版日期
536 頁數
USD 32.50 價格
Paperback
叢書系列
9780226571683 圖書編碼

Critical Terms for Art History 在線電子書 圖書標籤: 藝術史  藝術  工具書  美術史  藝術理論  theory:criticism  外文書  英文原版   


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Critical Terms for Art History 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Critical Terms for Art History 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Critical Terms for Art History 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Critical Terms for Art History 在線電子書 用戶評價

評分

很好的參考書。

評分

很好的參考書。

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從2017年來看,這本書需要第3版,不少term快要過時瞭。

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很好的參考書。

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必讀教科書,雖然確實有些過時瞭。

Critical Terms for Art History 在線電子書 著者簡介


Critical Terms for Art History 在線電子書 著者簡介


Critical Terms for Art History 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Critical Terms for Art History 在線電子書 圖書描述

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.

Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.

In addition to the twenty-two original essays, this edition includes nine new ones--"performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art"--as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.

Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

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