Image on the Edge pdf epub mobi txt 电子书下载 2025

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Before his death in 2002 Michael Camille was Professor of Art History at the University of Chicago. His books include Mirror in Parchment (Reaktion, 1998) and The Gothic Idol: Ideology and Image-Making in Medieval Art (1989).

出版者:Reaktion Books

作者:Michael Camille

出品人:

页数:176

译者:

出版时间:2004-08-01

价格:USD 16.00

装帧:Paperback

isbn号码:9780948462283

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图书标签:

艺术史
Medieval
艺术
methodology
MichaelCamille
近期比较想读
英文原版
medieval

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What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protuding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive and amazing the art of the time could be.

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喜欢血腥的兔兔????！

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喜欢血腥的兔兔????！

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Camille先生好像蛮高兴的。

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很不错的对中世纪各类艺术的研究，把margin从人类学的概念里面带进更具体的艺术作品和社会现象中去，边界不仅持续地评判、谐拟、颠覆着中心的图像，同时也不可避免地重申着中心的位置和权力。边界不仅被用来分析手抄本文字四周的图案、教堂角落里的各种动物/怪物浮雕，也定义这社会的不同阶层、艺术家本身、甚至中心的自我矛盾。Camille从后现代自身的很多身份和社会建构的定义出发，将中世纪的社会和艺术看成是对众多社会矛盾和意识形态的冲突折射入表现形式的过程，这些我们所谓的“grotesque”在中世纪具有流动性的含义，所谓的“other”和中心的关系也绝非二元对立这么简单。读完消除很多对中世纪的社会essentialist的定义。Camille的语言也诙谐得很。

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喜欢血腥的兔兔????！