William Faulkner (born William Cuthbert Falkner), (September 25, 1897–July 6, 1962) was an American author. He is regarded as one of the most influential writers of the twentieth century, and was awarded the 1949 Nobel Prize in Literature.
If I Forget Thee, Jerusalem is a novel by the American author William Faulkner published in 1939. The novel was originally published under the title The Wild Palms, which is the title of one of the two interwoven stories. This title was chosen by the publishers, Random House, over the objections of Faulkner's choice of a title. Subsequent editions have since been printed under the title If I Forget Thee Jerusalem (1990, following the "corrected text" and format of Noel Polk), and since 2003 it is now usually referred to by both names, with the newer title following the historically first published title and in brackets, to avoid confusion: The Wild Palms [If I Forget Thee, Jerusalem].
Wild Palms/Old Man is a blend of two stories, a love story and a river story, entitled "Wild Palms" and "Old Man", respectively. Both stories tell us of a distinct relationship between a man and a woman. The novel starts with the first chapter, "Wild Palms", and continues, alternating the two stories chapter by chapter, until ending with the final chapter, "Old Man".
In an interesting example of literary tribute, Jorge Luis Borges translated the complete novel into Spanish as Las palmeras salvajes (1940), a work that influenced a good number of leading Latin American novelists.
伟大小说的条件之一,是被其他了不起的人物引述。比如卡尔维诺和略萨都提及过的、蒙特罗素的一句话短篇《恐龙》,比如马尔克斯为之惊叫的《变形记》和不能安眠的《佩德罗·巴拉莫》。昆德拉在《被背叛的遗嘱》中提到了福克纳的《野棕榈》结尾:“……她不在了,一半的记忆也已...
評分《野棕榈》是关于记忆的故事,同时也是关于遗忘的故事,正如昆德拉所说:“现在时刻与人的记忆是不相像的,记忆并不是对遗忘的否定,记忆只是遗忘的一种形式。” 按照作者威廉•福克纳的原意,此书本应该名为《我若忘记你,耶路撒冷》,由《野棕榈》和《老人河》两个独立的...
評分你一直以为的,不见得是对的。 ——浅白的读《野棕榈》(估计只有看过的书人明白我在说啥) 读第一章的时候,我暗想,看来这本书得慢慢去啃了。或者就永远停留在第一章结束的那一页,直到未知的某日再想起来继续。 这时候五月大人颠颠的跑过来撇了一眼书,说老婆你现在越来越高...
評分莫洛亚说得好,差不多一切伟大的天才,一生中总有一段特定时期留给后世的印象特别深刻。传说中的拜伦,是那个青年诗人,丰神俊秀、旷世风流,而非参加希腊革命时一副未老先衰的模样。世人眼里的福楼拜,是个面目冷峻的中年男子,蔑视生活,日复一日地伏案写作,可我总想不...
評分在福克纳的文学世界中,“burden”是一个极为重要的key word。福克纳的诺奖演说词里反复出现burden一词;在《我弥留之际》里,“Burden”甚至被用作主人公的名字(本德仑);《喧哗与骚动》的最后一句“他们在苦熬”也使用了burden(“苦熬”)……在福克纳看来,人类在...
"They say love dies between two people. That's wrong. It doesn't die. It just leaves you, goes away, if you are not good enough, worthy enough. It doesn't die; you're the one that dies." "Between grief and nothing I will take grief."
评分Between grief and nothing I will take grief. +10086
评分作傢中的作傢,小說中的小說。我在有能力進入福剋納筆下世界的年齡,終於開始閱讀他的長篇作品。音樂般的結構美感是要讀到後半段纔能體會齣來,但這並不妨礙讀者在一開始便被帶著神秘氣息卻又十分寫實的人物所吸引。我太喜歡作傢在行文中的留白瞭,包括人物的對話、動作和心理,與大段的意識流描寫並行不悖、相得益彰。大量從句、長句和括號的使用,造成一種帶有流動美的節奏感,也使這本書成為瞭一個拒絕被翻譯的文本:它的全部文學價值遠遠廣闊於它所講述的故事。
评分"They say love dies between two people. That's wrong. It doesn't die. It just leaves you, goes away, if you are not good enough, worthy enough. It doesn't die; you're the one that dies." "Between grief and nothing I will take grief."
评分我以前第一次接觸福剋納的時候是他的As I Lay Dying,當時完全沒有耐心讀下去,以為自己這輩子和這個作傢是無緣瞭,沒想到這本書第一段話就狠狠抓住我瞭……
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