This Second Edition reprints the text of the authoritative 1912 Macmillan Wessex Edition. It is accompanied by more than 500 editorial footnotes, many new to this edition, that provide essential historical background and glossing of dialect words. Also new to the Second Edition are the twelve illustrations from the novel's first serial publication and Hardy's "Sketch Map of the Scene of the Story," which accompanied the 1878 edition. Again included is the "Map of Wessex of the Novels and Poems" from the 1912 Macmillan Wessex Edition of The Mayor of Casterbridge.
"Backgrounds and Contexts" provides a useful "Glossary of Dialect Words" as well as four essays on the textual and publication history of the novel—including pieces by Simon Gatrell and Andrew Nash—all of which are newly included. Also included are six of Hardy's nonfiction writings on the dialect in the novel, the reading of fiction, and his correspondence, five of which are new to this edition.
"Criticism" provides a selection of contemporary reviews that suggest The Return of the Native 's initial reception as well nine of the most influential modern essays on the novel, by Gillian Beer, D. H. Lawrence, Michael Wheeler, Rosemarie Morgan, Donald Davidson, John Peterson, Richard Swigg, Pamela Dalziel, and Jennifer Gribble.
A Chronology and Selected Bibliography are also included.
About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
“十一月的一个礼拜六下午,已近黄昏,这片广袤无边、莽莽苍苍的埃顿荒原,正在逐时逐刻变得昏暗起来。头顶那片青天已漫起了一片空濛的灰云,这片灰云就像一顶帐篷,罩住了整个荒原。” 在《还乡》的开篇,哈代就用灰云笼罩下的埃顿荒原为小说的悲剧性抹上了浓浓的宿命色彩。当...
评分几年前看过《冷山》,据说是讲述人与自然的关系的,还得过一个什么什么畅销书奖,看过之后一头雾水,窃以为原小说的水平差强人意。 哈代的书确是经典,荒原在他的笔下颇具魔幻色彩。极轻巧的笔触写出了荒原的厚重,笃悠悠的情节对比着荒原的凝固。真实的人物生活在半真实的环境...
评分出乎意料的,几乎这整整一个月的时间竟然会被《还乡》从而潜移默化般的,到现在越来越喜欢的感觉。我觉得它是乏味的,在读小说的第一卷。因为哈代一直用着不同的句子来描绘他所想象出来的荒原,正面的、侧面的、傍晚的、夜幕的……濒临了浏览的态度,可有可无,提不起...
第三次读了,经典就是经典啊,顺便说句,老颜,我对不起你!以前学习的时间都喂狗了啊,啊啊啊。
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