What does it mean to be "Chinese?" This controversial question has sparked off a never-ending process of image-making in Chinese and Chinese-speaking communities throughout the twentieth century. This introduction to Chinese national cinema, written by a leading scholar, covers three "Chinas": mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Chinese National Cinema also emphasizes industry research and market analysis. The author concludes that despite the rigid censorship systems and the pressures on film makers, Chinese national cinema has never succeeded in projecting a single unified picture, but rather portrays many Chinas.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
中國電影一本比較詳細的通史！
评分作為入門著作還成吧，其實這樣包含瞭兩岸三地華語電影的數據、作品、事件的寫作方式，即使缺少insight，也已經非常不易
评分以時間為綫索爬疏各個時間“三個中國”的電影發展的輪廓並將其置於互動聯係的網絡中，雖然缺少對文本的深入也不失為是一種補充。
评分讀瞭大部分……
评分張老師的書，和Chris Berry的那本China on Screen對比著讀，還湊閤吧
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