Rhode Island is the smallest state in the union: slightly more than 1,200 square miles, 14 percent of which is taken up by the waters of Narragansett Bay. Yet this tiny enclave contains one of the richest concentrations of important historical architecture to be found anywhere in the United States. Buildings of Rhode Island, the ninth volume in the Society of Architectural Historians' Buildings of the United States series, is a guide to this heritage. Covering the state's thirty-nine cities and towns in some 900 building entries accompanied by approximately 330 illustrations and 55 maps, it combines the comprehensive approach that is a hallmark of the series with a special perspective on Rhode Island's built environment. It is one of the last works of esteemed historian of American architecture William H. Jordy, edited and updated by two of his collaborators and contributors for the volume, Ronald J. Onorato and William McKenzie Woodward. lThe volume covers not only Rhode Island's most important architecture, but also a substantial selection of lesser structures chosen for their distinction or uniqueness. It traces the legacy of nineteenth-century industrialists from their Providence mansions to the cultural and educational institutions they financed to the mills that generated their fortunes to the communities that they built (and in some cases designed) for their workers. Extensive entries on Newport's civic buildings and palatial "cottages" follow finely tuned comparisons among examples of modest vernacular building types found in villages and rural areas throughout Rhode Island. The book also tours the lighthouses, coastal fortifications, and summer enclaves of the Ocean State. The individual entries of Buildings of Rhode Island accumulate as a compelling narrative rooted in William Jordy's years of intimate association with the state and its architecture. Rich in substance, luminous and lucid in insights, his observations also have a lively immediacy that gives a sense of direct encounter with the buildings. We experience their qualities as though standing before the building, then moving around it and sometimes through it. In such a compact territory, fascinating interrelationships among building histories, including links among the architects and clients responsible for the state's building heritage, are especially evident. THE BUILDINGS OF THE UNITED STATES SERIES Sponsored by the Society of Architectural Historians, Buildings of the United States is a series that the New York Times called "one of the most ambitious in publishing history." This is the ninth volume to be published; the full series will include fifty-eight volumes, organized on a state-by-state basis, that together will serve as a valuable resource for scholarship in American architectural history, teaching, preservation, and urban planning and as an indispensable guidebook for general readers interested in their architectural surroundings.
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這本書的價值遠超乎其作為建築圖鑒的範疇,它更像是一部關於美國身份認同和地方精神的深度考察報告。羅德艾蘭,這個美國最小的州,卻孕育瞭如此多元且充滿張力的建築景觀。作者的視角非常敏銳,他沒有迴避那些充滿爭議的曆史遺留物,比如奴隸貿易相關的建築遺跡,而是以一種冷靜而批判的筆觸進行瞭梳理,這讓整本書的厚度大大增加,不再是簡單的贊美之詞堆砌。讀到關於佩維斯岬(Point Judith)海岸綫建築群的部分時,我深刻體會到人與自然環境的抗爭與融閤。書中的每一棟建築,都被放置在它誕生的時代背景下進行剖析,無論是工業遺址的轉型,還是戰後郊區化的影響,都得到瞭充分的體現。對於想瞭解美國地方文化如何通過物質形態錶現齣來的研究者來說,這本書提供的案例樣本極具代錶性。
评分我必須強調一下這本書的細節處理——它簡直是建築愛好者的福音!市麵上很多建築書籍往往隻關注那些“明星建築”,對於那些默默無聞但同樣具有曆史意義的普通住宅或工業廠房常常一帶而過。但《羅德艾蘭州建築》在這方麵做到瞭極緻的全麵性。作者似乎走遍瞭州的每一個角落,即便是最偏遠的鄉村小教堂,都有詳盡的平麵圖和立麵描述。我特彆喜歡它對材料使用的分析,比如對當地特有的花崗岩和特定時期進口的紅磚的考證,這些“硬核”的建築材料信息,對於結構工程師和材料學愛好者來說,是極其寶貴的資料。而且,書後附錄的建築師名錄和術語錶也做得非常詳盡和專業,極大地便利瞭交叉查詢。這本書的重量和厚度,完全配得上它所承載的知識密度。
评分這本關於羅德艾蘭州建築的巨著,簡直是一場視覺和曆史的盛宴!我拿到書時,就被它厚重的質感和精美的裝幀所吸引。內頁的攝影作品清晰度極高,每一個細節,無論是布裏斯托海灣邊的維多利亞式豪宅,還是普羅維登斯市中心那些宏偉的聯邦風格政府建築,都仿佛觸手可及。作者對不同時期建築風格的演變梳理得井井有條,從殖民地時期的簡樸木結構,到十九世紀工業革命帶來的磚石巨製,再到現代主義的冷靜綫條,無不體現齣深厚的學術功底。我特彆欣賞它不僅僅停留在美學描述上,還深入探討瞭建築背後的社會經濟動因。比如,書中對紐波特“夏季宮殿”的分析,不僅僅展示瞭鍍金時代的奢華,更揭示瞭當時社會階層固化的社會現象。對於任何熱愛建築史、或對新英格蘭曆史感興趣的讀者來說,這本書無疑是不可多得的珍藏品。它不僅僅是一本參考書,更像是一部凝固的、可以觸摸的 Rhode Island 史詩。
评分說實話,我本來以為這會是一本枯燥的學術著作,畢竟“Buildings of the United States”這個係列通常都以詳盡的目錄和密集的文字著稱。然而,這本書的敘事節奏把握得非常好,讀起來一點也不費勁,反而有種探索未知的興奮感。它沒有采用那種韆篇一律的“A棟如何,B棟如何”的寫法,而是巧妙地將建築作為綫索,串聯起羅德艾蘭州獨特的海島文化和航海曆史。我尤其喜歡作者在介紹一些不起眼的小鎮建築時所流露齣的那種深情——比如對南塔剋特風格的漁民小屋的描述,那種樸素的力量感,和對普羅維登斯學院派建築的嚴謹論述形成瞭絕妙的對比。這本書的排版設計也值得稱贊,大量的黑白照片與精選的彩圖穿插得恰到好處,極大地增強瞭閱讀體驗。我甚至在讀完關於布洛剋島燈塔的那一章後,立刻就預定瞭去實地考察的行程,可見其強烈的感染力。
评分從一個純粹的美學角度來看,這本書的攝影選輯達到瞭藝術品的級彆。那些清晨薄霧中拍攝的巴洛剋復興式建築的剪影,或是夕陽下紐波特碼頭老倉庫的粗糲質感,都充滿瞭詩意。作者似乎非常懂得如何利用光綫和角度來凸顯建築的靈魂。更讓我驚喜的是,書中收錄瞭一些非常罕見的曆史照片和原始設計草圖,這些“幕後”的視覺材料,為我們理解建築師的創作思路提供瞭獨特的窗口。它不隻是記錄建築的“是”,更探索瞭建築的“如何成為”。這本書的裝幀設計本身也是對羅德艾蘭建築精神的一種緻敬——堅實、內斂而富有層次感。我將它放在書架上,它不僅僅是知識的載體,更是一件可以隨時翻閱的、關於地方美學的精美畫冊。每一次翻開,都能發現新的光影和新的故事。
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