an acclaimed cinematographer, filmed theatrical features, documentaries, training films, television commercials and television series. He wrote extensively about camera work for photographic magazines and trade journals, was an editor of the American Cinematographer Manual, and lectured on cinematography at Loyola University of Los Angeles.
The Five C’s is one of the most widely respected books on filmmaking ever published. With the aid of hundreds of photographers and diagrams, it clearly and concisely presents the essential concepts and techniques of motion picture camerawork and the allied areas of filmmaking that they interact with and impact.
Branching out from five central subject areas, the five C’s—Camera Angles, Continuity, Cutting, Close-ups, Composition—Mascelli offers filmmakers a detailed and practical course in visual thinking.
Included are discussions of
• Cinematic time and space
• Compositional rules
• Point-of-view
• Camera height and angle
• Master scenes
• Types of editing
• Screen direction
… and much more.
This first paperback edition of The Fives C’s allows Mascelli to reach a whole new generation with his timeless and indispensable insights on the fundamentals of filmmaking.
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就1965年的出版時間來看,無疑是經典,也有史料價值(差不多就是古典好萊塢時代電影從業人員看見法國新浪潮、新好萊塢等開始使用些怪招的撥「亂」反「正」之舉),但作者真的是蠻囉唆…
评分就1965年的出版時間來看,無疑是經典,也有史料價值(差不多就是古典好萊塢時代電影從業人員看見法國新浪潮、新好萊塢等開始使用些怪招的撥「亂」反「正」之舉),但作者真的是蠻囉唆…
评分one of three the most important books on cinematic technique ever published
评分目前读下来,讲的东西其实还很基础,也有些啰嗦,思维也比较好莱坞化...从这方面看,倒是很适合北美这边的电影学院当教科书用...
评分one of three the most important books on cinematic technique ever published
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