The Theory of the Avant-Garde

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出版者:The Belknap Press of Harvard University Press
作者:Renato Poggioli
出品人:
页数:256
译者:Fitzgerald, Gerald
出版时间:2003-02-01
价格:USD 27.50
装帧:Paperback
isbn号码:9780674882164
丛书系列:
图书标签:
  • avant-garde 
  • 现代性 
  • 文艺理论 
  • 文化 
  • Career-related 
  •  
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Convinced that all aspects of modern culture have been affected by avant-garde art, Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.

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dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

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