The Theory of the Avant-Garde

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出版者:The Belknap Press of Harvard University Press
作者:Renato Poggioli
出品人:
頁數:256
译者:Fitzgerald, Gerald
出版時間:2003-02-01
價格:USD 27.50
裝幀:Paperback
isbn號碼:9780674882164
叢書系列:
圖書標籤:
  • avant-garde 
  • 現代性 
  • 文藝理論 
  • 文化 
  • Career-related 
  •  
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Convinced that all aspects of modern culture have been affected by avant-garde art, Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.

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评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

评分

dense but brilliant. Poggioli traces the origin of avant-garde and analyzes its psychological motivations and sociological consequence.He shows that the Avant-gardists are in nature solitary and aristocratic. He argues that the modern Avant-garde is a historic succession of the Romanticism.

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