Beyond Representation

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Wen C. Fong is professor emeritus of Chinese art history at Princeton University, where he taught from 1954 to 1999, established the country's first PhD program in Chinese and Japanese art and archaeology, and served for many years as faculty curator of Asian art at the Princeton University Art Museum. He also served as consultative chairman of the Department of Asian Art at the Metropolitan Museum of Art for three decades before retiring in 2000. His many books include "Images of the Mind", "Beyond Representation", and "Possessing the Past".

出版者:Yale University Press
作者:Wen C. Fong
出品人:
頁數:549
译者:
出版時間:1992
價格:USD 190.00
裝幀:Hardcover
isbn號碼:9780300057010
叢書系列:
圖書標籤:
  • 藝術史 
  • 方聞 
  • 海外中國研究 
  • 書畫 
  • 英文原版 
  • 藝術史 
  • 宋 
  • 中國藝術史 
  •  
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This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

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讀後感

評分

本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...  

評分

本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...  

評分

本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...  

評分

一 费正清的论证有个观点值得注意,首先是3世纪到5世纪,这个时候,中国和罗马帝国一样都是受到蛮族入侵,在中国叫作五胡乱华。但是罗马帝国此后就一蹶不振,而中国在5世纪建立的唐朝则完全复制了秦汉帝制。究其原因除了是中国有比罗马更深的帝制传统(董仲舒建立的天命说)...  

評分

本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...  

用戶評價

评分

反省英文閱讀能力中……不過好歹省瞭六百八十元……

评分

W.F's writing always reminds me of the biology professor who always talked about yin and yang in class...

评分

反省英文閱讀能力中……不過好歹省瞭六百八十元……

评分

反省英文閱讀能力中……不過好歹省瞭六百八十元……

评分

好大好厚一本書。一頁一頁地翻過,看瞭每一幅畫,有種重溫瞭傅老師藝術史的感覺。

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