We pdf epub mobi txt 电子书 下载 2025
Yevgeny Ivanovich Zamyatin[1] (Russian: Евге́ний Ива́нович Замя́тин, 20 January (Julian) / 1 February (Gregorian), 1884 – 10 March 1937), sometimes anglicized as Eugene Zamyatin, was a Russian author of science fiction and political satire. He is most famous for his 1921 novel We, a story set in a dystopian future police state. Despite having been a prominent Old Bolshevik, Zamyatin was deeply disturbed by the policies pursued by the CPSU following the October Revolution. In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The subsequent outrage this sparked within the Party and the Union of Soviet Writers led directly to Zamyatin's successful request for exile from his homeland. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.
- 俄文英译本
- 科幻
- 小说
- 反乌托邦
- fiction
- Sci-Fi
First published in the Soviet 1920s, Zamyatin's dystopic novel left an indelible watermark on 20th-century culture, from Orwell's 1984 to Terry Gilliam's movie Brazil. Randall's exciting new translation strips away the Cold War connotations and makes us conscious of Zamyatin's other influences, from Dostoyevski to German expressionism. D-503 is a loyal "cipher" of the totalitarian One State, literally walled in by glass; he is a mathematician happily building the world's first rocket, but his life is changed by meeting I-330, a woman with "sharp teeth" who keeps emerging out of a sudden vampirish dusk to smile wickedly on the poor narrator and drive him wild with desire. (When she first forces him to drink alcohol, the mind leaps to Marlene Dietrich in The Blue Angel.) In becoming a slave to love, D-503 becomes, briefly, a free man. In Randall's hands, Zamyatin's modernist idiom crackles ("I only remember his fingers: they flew out of his sleeve, like bundles of beams"), though the novel sometimes seems prophetic of the onset of Stalinism, particularly in the bleak ending. Modern Library's reintroduction of Zamyatin's novel is a literary event sure to bring this neglected classic to the attention of a new readership.
具体描述
读后感
在书店收入《我们》，绝对是因为其与《一九八四》和《美丽新世界》一起被称为三大“反乌托邦”小说，断断续续，用了两周时间，也只是粗率得看了一遍，远不像最初看《一九八四》，让我在除夕和年初一中用了两天就看完。 也许是我对第一人称的叙述方式不太习惯，或者是因为之前看...
评分我们。有的时候，这是一个温暖的词，不只是我，还有我们。 但是，当“我们”吞噬了“我”的时候呢？ 大三的时候看了《一九八四》，震撼。原来一段历史是可以这样被提前讲述的。我想所有对那段荒唐岁月有所认知的中国人都会以一种不一样的心态去看《一九八四》。奥...
评分我们是谁？是26世纪大一统王国的号码们，我们以失去自由的代价获得幸福。我们在大恩主的领导下，过着理性划一的生活，我们是人类的终极梦想。 是一部预言式的小说，其中关于人类的乌托邦？毋宁看作是一部反观现实的书更适合些。 如同叙述者“我”，号码D503担心的那样，写给前...
评分在书店收入《我们》，绝对是因为其与《一九八四》和《美丽新世界》一起被称为三大“反乌托邦”小说，断断续续，用了两周时间，也只是粗率得看了一遍，远不像最初看《一九八四》，让我在除夕和年初一中用了两天就看完。 也许是我对第一人称的叙述方式不太习惯，或者是因为之前看...
评分在书店收入《我们》，绝对是因为其与《一九八四》和《美丽新世界》一起被称为三大“反乌托邦”小说，断断续续，用了两周时间，也只是粗率得看了一遍，远不像最初看《一九八四》，让我在除夕和年初一中用了两天就看完。 也许是我对第一人称的叙述方式不太习惯，或者是因为之前看...
用户评价
结尾出乎意料，看完后不免有些唏嘘。这本书是俄罗斯作家扎米亚金在1921年写成的，也算是反乌托邦作品的鼻祖了。乔治奥威尔的《1984》肯定是受到了这本书的启发，里面有不少其中的影子。书的情节松垮，但意义重大。对毫无感性的人类生活的描写，让人不寒而栗。周同学用catharsis来形容读后感，很有感，谢谢你带来这本好书。
评分rationality与human nature的对抗
评分rationality与human nature的对抗
评分结尾出乎意料，看完后不免有些唏嘘。这本书是俄罗斯作家扎米亚金在1921年写成的，也算是反乌托邦作品的鼻祖了。乔治奥威尔的《1984》肯定是受到了这本书的启发，里面有不少其中的影子。书的情节松垮，但意义重大。对毫无感性的人类生活的描写，让人不寒而栗。周同学用catharsis来形容读后感，很有感，谢谢你带来这本好书。
评分结尾出乎意料，看完后不免有些唏嘘。这本书是俄罗斯作家扎米亚金在1921年写成的，也算是反乌托邦作品的鼻祖了。乔治奥威尔的《1984》肯定是受到了这本书的启发，里面有不少其中的影子。书的情节松垮，但意义重大。对毫无感性的人类生活的描写，让人不寒而栗。周同学用catharsis来形容读后感，很有感，谢谢你带来这本好书。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有