大卫•贝尔斯(David Bayles),美国摄影师、环保人士。早年在大学研习社会学,但由于对摄影情有独钟而放弃了自己的专业。曾在摄影家安塞尔•亚当斯(Ansel Adams,1902—1984)的工作室学习和工作,从事过商业摄影,开设有自己的工作室。20世纪80年代中后期,加入美国西部的环保组织“太平洋河流”(Pacific Rivers),至今仍是它的执行理事。他与老朋友特德•奥兰德合作完成了这部鼓舞创作者从事创作的书籍,还独立著有《共同景观笔记:解读美国西部》(Notes on a Shared Landscape: Making Sense of the American West)。
特德•奥兰德(Ted Orland),美国摄影师。曾在设计大师查尔斯•埃姆斯(Charles Eames,1907—1978)的工作室做平面设计,后为摄影家安塞尔•亚当斯担任助理,并协助后者完成了在优胜美地拍摄的知名系列风景照片。他还从事教学和写作,开设有自己的工作室,并出版有《工作室入口的视角:艺术家如何探索未知世界》(The View From the Studio Door: How Artists Find Their Way In An Uncertain World)。
"This is a book about making art. Ordinary art. Ordinary art means something like: all art "not" made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there "aren't" any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."--from the Introduction "Art and Fear" explores the way art gets made, the reasons it often "doesn't" get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. This is not your typical self-help book. This is a book written by artists, for artists -- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, "Art and Fear" quickly became an underground classic. Word-of-mouth response alone-now enhanced by internet posting-has placed it among the best-selling books on artmaking and creativity nationally. "Art and Fear" has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of "Art and Fear" sold 80,000 copies. An excerpt: Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...
第一部 摒弃一切疑虑,如此方能清楚看到自己已做了什么,并意识到接下来该如何行事。创作自己想要的作品,就意味着你要从作品本身汲取力量,因为如今已经不是拥有信仰、真理和确定性的时代了。 要成为一名艺术家必须学会接受自己,唯有如此作品才能拥有自己的风格,忠于自我才...
评分第一部 摒弃一切疑虑,如此方能清楚看到自己已做了什么,并意识到接下来该如何行事。创作自己想要的作品,就意味着你要从作品本身汲取力量,因为如今已经不是拥有信仰、真理和确定性的时代了。 要成为一名艺术家必须学会接受自己,唯有如此作品才能拥有自己的风格,忠于自我才...
评分 评分1 面对创作的恐惧 《艺术与恐惧》一书中曾引用过这样一句话:当不创作的痛苦超过了创作的痛苦,艺术家才会开始创作。 与生而为人的恐惧相似,来源于艺术创作的恐惧就像时刻都在挑战着情绪的失控。生活中常常很想把一件事情做好,但在没做之前就已经心生怯意。例如想画画想写作...
评分《艺术与恐惧》是由两位摄影师创作的一本关于艺术创作的小书,其作者大卫·贝尔斯和特德·奥兰德在这本书中,主要讲述的是在艺术创作中艺术家们可能会遇到的种种困境。因而,这本书的主要读者,是那些从事着艺术创作的艺术家们。 艺术源于生活,艺术创作中可能面临的困境,我们...
搞艺术的,特别是studio art的人,应该看看
评分前半部分到处都是金句。对创意工作者来说这本堪称暗夜里的灯塔。「the seed for your next art work lies embedded in the imperfections of your current piece.」「One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential.」
评分80%,这本英文词汇量相当丰富,表达也不简单。读起来挺辛苦,不过内容还是不错的。澄清了一些关于艺术的普遍错误观念,值得一读。
评分今年特别特别启发我的一本书。文字不深,但箴言却不少。
评分实用但是过于琐碎了点
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