Antonioni, or, The Surface of the World 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Antonioni, or, The Surface of the World

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Seymour Chatman 作者
University of California Press
译者
1985-11-03 出版日期
384 页数
USD 29.95 价格
Paperback
丛书系列
9780520053410 图书编码

Antonioni, or, The Surface of the World 在线电子书 图书标签: 电影  antonioni  电影理论  電影  理论  文艺理论  批评  michealangelo   


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发表于2024-11-26


Antonioni, or, The Surface of the World 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Antonioni, or, The Surface of the World 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Antonioni, or, The Surface of the World 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Antonioni, or, The Surface of the World 在线电子书 用户评价

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我这版封面颜色好像跟这个不大一样。刚读了一点,其实这个作者也不大严谨呢,细节与影片本身有出入,估计引用二手资料也不一定。

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新学年读完的第一本,应景的献给了老爷子。前一半在去往ferrara的火车上看完的。要是彩色的就更完美了。。

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我这版封面颜色好像跟这个不大一样。刚读了一点,其实这个作者也不大严谨呢,细节与影片本身有出入,估计引用二手资料也不一定。

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Antonioni, or, The Surface of the World 在线电子书 著者简介


Antonioni, or, The Surface of the World 在线电子书 图书目录


Antonioni, or, The Surface of the World 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Antonioni, or, The Surface of the World 在线电子书 图书描述

Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the 'opacity' of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including "Il mistero di Obertwald" (1980) and "Identificazione di una donna" (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic 'language,' is especially full. In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of "L'avventura", "L'eclisse", and "Il deserto rosso", Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture - both important elements of Antonioni's work.

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