An Artistic Exile 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Geremie Randall Barmé 作者

University of California Press

译者

2002-11-4 出版日期

558 页数

USD 85.00 价格

Hardcover

丛书系列

9780520208322 图书编码

An Artistic Exile 在线电子书图书标签: 丰子恺列文森中国研究书籍奖艺术史新文化史藝術史海外中国研究文學/文化批評宗教

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发表于2024-11-22

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An Artistic Exile 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

An Artistic Exile 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

An Artistic Exile 在线电子书用户评价

评分☆☆☆☆☆

对一个人的研究做到非常细致入微。而且能够很同情之理解地去看待丰子恺作为"the third category"。

评分☆☆☆☆☆

对一个人的研究做到非常细致入微。而且能够很同情之理解地去看待丰子恺作为"the third category"。

评分☆☆☆☆☆

Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.

评分☆☆☆☆☆

An Artistic Exile 在线电子书著者简介

Geremie R. Barmé is a Professor at the Research School of Pacific and Asian Studies, Institute of Advanced Studies, at the Australian National University. He is the editor of East Asian History and is author of In the Red (1999), Shades of Mao: The Posthumous Cult of the Great Leader (1996), and coeditor of New Ghosts, Old Dreams: Chinese Rebel Voices (1992). He was also an associate director and writer for the film The Gate of Heavenly Peace (Boston 1995), and is codirecting with Carma Hinton and Richard Gordon Morning Sun, a documentary film on the Chinese Cultural Revolution.

An Artistic Exile 在线电子书图书目录

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An Artistic Exile 在线电子书图书描述

This engrossing book, a brilliant blend of biography and criticism, tells the story of Feng Zikai (1898-1975), one of the most gifted and important artists to emerge from the politically tumultuous decades of the 1920s and 1930s. Barmé provides a closely woven parallel history, that of the life of writer-artist Feng, who was also an essayist and a translator, and that of China's turbulent twentieth century. He investigates Feng Zikai's aesthetic vision, its development, and how it relates to traditional and contemporary Chinese cultural values and debates.

Although Feng was known for his so-called casual drawings, he was reluctant to classify his art. According to Barmé, much of his writing and painting was rooted in a philosophy of self-expression. Difficult to position in relation to existing Chinese political and social nomenclature, Feng remains, to a large extent, an enigma. He was sympathetic to the average person and the impoverished peasant, yet he was a romantic, and often identified with the increasingly politicized intelligentsia. A devout Buddhist, he was a close observer of nature and children, and while his art appeared gentle, it often carried a strong message.

Much has been written about Feng Zikai, a figure who has become popular among elite and mass audiences in the Chinese world once more, but no other work has examined his place among May Fourth writers and intellectuals nor his position within the context of China's artistic, religious, and literary tradition. An Artistic Exile moves straight to the heart of debates surrounding modernization, religion, science, the essence of a tradition in an age of colonial modernity, and the ethos of political and social thought in twentieth-century China.

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