An Artistic Exile 在線電子書 圖書標籤: 豐子愷 列文森中國研究書籍奬 藝術史 新文化史 藝術史 海外中國研究 文學/文化批評 宗教
發表於2024-09-27
An Artistic Exile 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024
杯水車薪
評分Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.
評分比較平實詳盡。
評分杯水車薪
評分杯水車薪
Geremie R. Barmé is a Professor at the Research School of Pacific and Asian Studies, Institute of Advanced Studies, at the Australian National University. He is the editor of East Asian History and is author of In the Red (1999), Shades of Mao: The Posthumous Cult of the Great Leader (1996), and coeditor of New Ghosts, Old Dreams: Chinese Rebel Voices (1992). He was also an associate director and writer for the film The Gate of Heavenly Peace (Boston 1995), and is codirecting with Carma Hinton and Richard Gordon Morning Sun, a documentary film on the Chinese Cultural Revolution.
This engrossing book, a brilliant blend of biography and criticism, tells the story of Feng Zikai (1898-1975), one of the most gifted and important artists to emerge from the politically tumultuous decades of the 1920s and 1930s. Barmé provides a closely woven parallel history, that of the life of writer-artist Feng, who was also an essayist and a translator, and that of China's turbulent twentieth century. He investigates Feng Zikai's aesthetic vision, its development, and how it relates to traditional and contemporary Chinese cultural values and debates.
Although Feng was known for his so-called casual drawings, he was reluctant to classify his art. According to Barmé, much of his writing and painting was rooted in a philosophy of self-expression. Difficult to position in relation to existing Chinese political and social nomenclature, Feng remains, to a large extent, an enigma. He was sympathetic to the average person and the impoverished peasant, yet he was a romantic, and often identified with the increasingly politicized intelligentsia. A devout Buddhist, he was a close observer of nature and children, and while his art appeared gentle, it often carried a strong message.
Much has been written about Feng Zikai, a figure who has become popular among elite and mass audiences in the Chinese world once more, but no other work has examined his place among May Fourth writers and intellectuals nor his position within the context of China's artistic, religious, and literary tradition. An Artistic Exile moves straight to the heart of debates surrounding modernization, religion, science, the essence of a tradition in an age of colonial modernity, and the ethos of political and social thought in twentieth-century China.
对丰子恺知之甚少,有限的印象就是他是弘一法师的学生、佛教徒,以及充满童真的画作。 也不知为什么在豆瓣里标记了这本书,从图书馆借回一读,很快就有了读下去的兴致。应该说,吸引我的,是传记作者的写作方式,详实的引证,多角度的阐述,富于洞见的观点,透视时代的眼光。...
評分提到丰子恺,我们的第一印象可能是关于他的诗意风格漫画,还有他的师父李叔同(弘一法师),以及他跟随弘一法师出家等等比较惹人眼球的“事迹”,在图书馆偶遇《逃难的艺术:丰子恺传》,也希望可以借此对丰子恺有一点浅薄的了解。 丰子恺一生也算是历尽坎坷,最终没能等到文革...
評分对丰子恺知之甚少,有限的印象就是他是弘一法师的学生、佛教徒,以及充满童真的画作。 也不知为什么在豆瓣里标记了这本书,从图书馆借回一读,很快就有了读下去的兴致。应该说,吸引我的,是传记作者的写作方式,详实的引证,多角度的阐述,富于洞见的观点,透视时代的眼光。...
評分对丰子恺知之甚少,有限的印象就是他是弘一法师的学生、佛教徒,以及充满童真的画作。 也不知为什么在豆瓣里标记了这本书,从图书馆借回一读,很快就有了读下去的兴致。应该说,吸引我的,是传记作者的写作方式,详实的引证,多角度的阐述,富于洞见的观点,透视时代的眼光。...
評分“逃难”一词,有凄惶奔突之意,然而冠上定语“艺术的逃难”,恍惚有一种藉由艺术于乱世中求宁静的感觉。若将之与“丰子恺”这个名字勾连,我眼前浮起一幅漫画——《无言独上西楼月如钩》。一座雕楼,一弯弦月,一个背影。寥寥几笔即有无尽意绪。这幅漫画展现的丰子恺...
An Artistic Exile 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024