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Nadezhda Yakovlevna Mandelstam (Russian: Надежда Яковлевна Мандельштам, née Hazin; 31 October 1899 – 29 December 1980) was a Russian writer and a wife of poet Osip Mandelstam.
Born in Saratov into a middle-class Jewish family, she spent her early years in Kiev. After the gymnasium she studied art.
After their marriage in 1921, Nadezhda and Osip Mandelstam lived in Ukraine, Petrograd, Moscow, and Georgia. Osip was arrested in 1934 for his Stalin Epigram and exiled with Nadezhda to Cherdyn, in the Perm region and later to Voronezh.
After Osip Mandelstam's second arrest and his subsequent death at a transit camp "Vtoraya Rechka" near Vladivostok in 1938, Nadezhda Mandelstam led an almost nomadic way of life, dodging her expected arrest and frequently changing places of residence and temporary jobs. On at least one occasion, in Kalinin, the NKVD came for her the next day after she fled.
As her mission in life, she set to preserve and publish her husband's poetic heritage. She managed to keep most of it memorized because she did not trust paper.
After the death of Stalin, Nadezhda Mandelstam completed her dissertation (1956) and some years after was allowed to return to Moscow (1964).
In her memoirs, Hope Against Hope and Hope Abandoned, first published in the West, she gives an epic analysis of her life and criticizes the moral and cultural degradation of the Soviet Union of the 1920s and later. The titles of her memoirs are puns, Nadezhda in Russian meaning "hope".
In 1976 she gave her archives to Princeton University. Nadezhda Mandelstam died in 1980 in Moscow, aged 81.
- 曼德尔施塔姆
- 文学研究
- 外国文学
- 传记
- 历史
- 回忆录
- 哈佛书架
- 俄罗斯
Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration - a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
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关于娜杰日达•曼德施塔姆这个名字，我们能知道些什么呢？我们知道她嫁给了一位俄国诗人，而后成为诗人的遗孀；我们知道她原本可以成为一个不错的画家，如果没有嫁给奥西普•曼德施塔姆这位阿克梅派诗人；我们还知道她原本可能不会写作，但是某种保存记忆与生存的信念致使...
评分关于娜杰日达•曼德施塔姆这个名字，我们能知道些什么呢？我们知道她嫁给了一位俄国诗人，而后成为诗人的遗孀；我们知道她原本可以成为一个不错的画家，如果没有嫁给奥西普•曼德施塔姆这位阿克梅派诗人；我们还知道她原本可能不会写作，但是某种保存记忆与生存的信念致使...
评分西伯利亚情歌 那些云沉得那么低，像要睡在海的眼皮上 像是太平洋的一串迷梦，她梦见了黑海。 荒芜的岛屿像是沃罗涅日， 阳光摸索着我左肩的骨头像我弃妻的手。 他们突然交出了所有的珠宝，这些云沉得那么低， 他们突然从袖口掏出了上个世纪的雪橇。 他们请求我躺在上面， ...
评分大概十年前，在一本纽约书评文选里看到布罗茨基撰写的《曼德施塔姆夫人回忆录》书评，文章和布罗茨基其他作品一样精彩，尤其是结尾给我留下很深印象，布罗茨基这样描述1972年5月30日在娜•雅•曼德施塔姆莫斯科住宅里的厨房看到她时的情景：“当时已是傍晚，橱柜在墙壁上...
评分诗歌与……“黑暗岁月的同志” 李公明 “深夜花园里四处静悄悄……”有些自以为熟悉的歌词，当我们在吟唱的时候还真的不知道我们吟唱的其实是什么。比如，关于 “莫斯科郊外的晚上”，在读这部《曼德施塔姆夫人回忆录》（刘文飞译，广西师大出版社，2013年9月）以前，我真的...
用户评价
"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分看完深深地爱上了这位敏锐而坚韧的作者！
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分看完深深地爱上了这位敏锐而坚韧的作者！
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