Nadezhda Yakovlevna Mandelstam (Russian: Надежда Яковлевна Мандельштам, née Hazin; 31 October 1899 – 29 December 1980) was a Russian writer and a wife of poet Osip Mandelstam.
Born in Saratov into a middle-class Jewish family, she spent her early years in Kiev. After the gymnasium she studied art.
After their marriage in 1921, Nadezhda and Osip Mandelstam lived in Ukraine, Petrograd, Moscow, and Georgia. Osip was arrested in 1934 for his Stalin Epigram and exiled with Nadezhda to Cherdyn, in the Perm region and later to Voronezh.
After Osip Mandelstam's second arrest and his subsequent death at a transit camp "Vtoraya Rechka" near Vladivostok in 1938, Nadezhda Mandelstam led an almost nomadic way of life, dodging her expected arrest and frequently changing places of residence and temporary jobs. On at least one occasion, in Kalinin, the NKVD came for her the next day after she fled.
As her mission in life, she set to preserve and publish her husband's poetic heritage. She managed to keep most of it memorized because she did not trust paper.
After the death of Stalin, Nadezhda Mandelstam completed her dissertation (1956) and some years after was allowed to return to Moscow (1964).
In her memoirs, Hope Against Hope and Hope Abandoned, first published in the West, she gives an epic analysis of her life and criticizes the moral and cultural degradation of the Soviet Union of the 1920s and later. The titles of her memoirs are puns, Nadezhda in Russian meaning "hope".
In 1976 she gave her archives to Princeton University. Nadezhda Mandelstam died in 1980 in Moscow, aged 81.
Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration - a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
曼德尔斯塔姆1930年年底再次回到圣彼得堡,并写下了最为脍炙人口的诗句: 我回到我的城市,熟悉如眼泪 如静脉,如童年的腮腺炎。 你回到这里,快点吞下 列宁格勒河边路灯的鱼肝油。 你认出十二月短暂的白昼: 蛋黄搅入那不详的沥青。 彼得堡,我还不愿意死: 你有我的电话号...
評分诗人安娜·阿赫玛托娃认为,在二十世纪的俄国诗人所写的自传中,有两本最为出色:一本是帕斯捷尔纳克的《安全证书》,另外一本是曼德施塔姆的《时代的喧嚣》。阿赫玛托娃原本想自己也写一本自传,但是已有的两本自传如此优秀,竟然使其有些担心自己这部“未完成自传”,会显得...
評分曼德尔斯塔姆1930年年底再次回到圣彼得堡,并写下了最为脍炙人口的诗句: 我回到我的城市,熟悉如眼泪 如静脉,如童年的腮腺炎。 你回到这里,快点吞下 列宁格勒河边路灯的鱼肝油。 你认出十二月短暂的白昼: 蛋黄搅入那不详的沥青。 彼得堡,我还不愿意死: 你有我的电话号...
評分十九世纪到二十世纪,苏联大地的价值观在不断地发生重新评估,书中叙述了很多奇景。在十九世纪人道主义精神熏陶下,带有贵族气质的祖辈与他们的孙辈共同反对斯大林主义的父辈;工人阶级的房东夫妇怒称“他们是用我们这个阶级搞乱你们的脑袋”,“他们这是在夺权”;偏远的纺织...
評分十九世纪到二十世纪,苏联大地的价值观在不断地发生重新评估,书中叙述了很多奇景。在十九世纪人道主义精神熏陶下,带有贵族气质的祖辈与他们的孙辈共同反对斯大林主义的父辈;工人阶级的房东夫妇怒称“他们是用我们这个阶级搞乱你们的脑袋”,“他们这是在夺权”;偏远的纺织...
"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分看完深深地愛上瞭這位敏銳而堅韌的作者!
评分看完深深地愛上瞭這位敏銳而堅韌的作者!
评分看完深深地愛上瞭這位敏銳而堅韌的作者!
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有