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The tenth century was a period of extensive change in East Asia, in which China was divided into regional kingdoms with the fall of the Tang dynasty in 907 and powerful northern empires, the Khitan Liao and Koryŏ dynasty, arose. Though historically regarded as a period declining into disorder between the great Tang and Song eras, it in fact saw art and culture flourish in regional contexts. Important new stylistic trends in painting, technologies of printing and ceramic making, and unprecedented features of construction of tombs and Buddhist and Daoist temples at regional centers of art emerged. At the same time, transregional interaction, exchange, and rivalries were also contributing factors to the dynamism and richness of artistic production during this period. The collected essays in this volume present groundbreaking research resulting from two international conferences organized by the Center for the Art of East Asia, Department of Art History, at the University of Chicago.

Contributions by: Jenny F. So, Nancy Steinhardt, Youngsook Pak, Wu Hung, Li Qingquan, Hsueh-man Shen, Eugene Wang, Bai Bin, Li Song, Wang Huimin, Jonathan Hay, François Louis, Foong Ping, and Hui-Wen Lu

序言
巫鸿…………………………………………………………………………………………9
亚洲联系
Jade of the Tenth Century: A Fresh Assessment(对十世纪玉器的新评估)
Jenny F.So苏芳淑（香港中文大学）………………………………………………………13
Standard Architecture in a Multi-Centered, Multi-Cultural Age多中心多文化时代的标准建筑
Nancy S. Steinhardt夏南悉（宾夕法尼亚大学）…………………………………………38
Koryŏ (918-1392) and Liao(907-1125) Relations in the Tenth-Eleventh Centuries: Impact on Buddhist Culture(十至十一世纪间高丽与辽的关系：对佛教文化的影响)
朴英淑 Youngsook Pak（伦敦大学亚非中心）……………………………………………70
墓葬艺术
Two Royal Tombs from the Early Liao: Architecture, Pictorial Program, Authorship, Subjectivity(两座早期辽代皇室墓葬：建筑、画像程序、作者、主体性)
Wu Hung巫鸿（芝加哥大学）……………………………………………………………100
从南汉康陵“陵台”看佛教影响下的十世纪墓葬
李清泉（广州美术学院）…………………………………………………………………126
Tombs at the Crossroads of the Worlds of the Living and the Dead(生死交接处的墓葬)
Hsueh-man Shen沈雪曼（纽约大学美术研究院）………………………………………150
宗教艺术
Ritual Practice without Its Practitioner? Early Eleventh-Century dhāraṇī Prints in the Ruiguangsi Pagoda(虚位空场的虚拟仪轨：瑞光寺塔十一世纪早期陀罗尼经咒刻印的启示)
Eugene Wang汪跃进（哈佛大学）……………………………………………………179
四川成都后蜀袁氏解伏连石刻研究
白彬（四川大学）………………………………………………………………………212
经典圣地的新经典——关于968年京兆府国子监里的《佛道图文碑》
李淞（北京大学）………………………………………………………………………236
敦煌所见早期披帽地藏图像新资料
王惠民（敦煌研究院）…………………………………………………………………266
绘画与书法
Tenth-Century Painting before Song Taizong’s Reign: A Macrohistorical View (宋太宗之前的十世纪绘画：一个大历史观)
Jonathan Hay乔迅（纽约大学美术研究所）…………………………………………285
The Cultured and Martial Prince: Notes on Li Zanhua’s Biographical Record (经文纬武的王公：关于李赞华传记资料的几点看法)
Francois Louis陆毅（巴德学院）………………………………………………………319
The Structural Position of Court Artists in the Song daynasty: Issues of Rank, Title, and Legitimate Rule during the Founding Decades(宋代宫廷画家的官署机构)
Foong Ping冯良冰（芝加哥大学）……………………………………………………350
Wild Cursive Calligraphy, Poetry, and Chan Monks in the Tenth Century (十世纪中国的狂草、诗歌和禅僧)
Hui-Wen Lu卢慧纹（国立台湾大学）…………………………………………………364
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