著者

邁剋爾·翁達傑（Michael Ondaatje），加拿大著名詩人、作傢，1943年生於斯裏蘭卡，11歲隨母親來到英國，19歲移居加拿大，畢業於多倫多大學。他的作品兼具文學的語言美感和電影的視覺衝擊力，通過詩性直覺和敘事節奏的交揉變化，達到一種極具個人風格的境界。迄今為止，翁達傑共齣版瞭6部長篇小說、10餘部詩集和其他一些非虛構著作。其中，《英國病人》榮獲布剋奬，由沃爾特 ·默奇擔任剪輯、安東尼 ·明格拉執導的同名改編電影獲9項奧斯卡奬。

譯者

夏彤，北京大學及加拿大艾米利·卡爾藝術大學（Emily Carr University）畢業，電影作品多次參加國際電影節並獲奬，現為中央美術學院電影係教師，工作涉及獨立電影和科幻研究多個領域，譯有《眨眼之間》（沃爾特·默奇著）、《紀錄我們自己》等。

The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.

It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient , that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.

The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux .

Among the films Murch has worked on are American Graffiti , The Conversation , the remake of A Touch of Evil , Julia , Apocalypse Now , The Godfather (all three), The Talented Mr. Ripley , and The English Patient .

“Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.”