Closed Chambers: The Rise, Fall, and Future of the Modern Supreme Court is a 1998 book by Edward Lazarus, who served as a law clerk for U.S. Supreme Court Justice Harry Blackmun during the October Term 1988. Lazarus combines his reflections as a clerk with a substantial body of research to describe the collapse in comity between Justices - and particularly clerks - at the Supreme Court. The book is noted both for its extraordinary inside access to internal Supreme Court deliberation and its arguably balanced account of the controversy surrounding many high-profile Supreme Court decisions on the death penalty, civil rights, and abortion.
The subject matter is familiar, but Closed Chambers argues that the breakdown had less to do with Warren Court precedents or abortion (the latter being exceptionally divisive, but rarely on the court's docket), but rather a fundamental split over the death penalty. This split was later widened over disagreements concerning civil rights litigation. Lazarus presents the zealotry of the abolitionists at the Legal Defense Foundation, compounded by the actions of Justices Marshall and Brennan, as a major and mounting frustration even for the moderate Justices of the court. This frustration eventually lead even the center of the court - Justices White and Powell - to align with Justice William Rehnquist in seeing behind almost every repeat habeas petition the LDF's unwavering desire to abolish the death penalty, a position that even the moderate justices had rejected. If true, this would mean that an organization that set out to abolish the death penalty actually succeeded in making it more capricious, less well-overseen and more commonly used.
Lazarus also argues that a tightly-organized network of conservative law clerks exercised substantial power over the Justices during his time as a law clerk.
In the January, 1999, edition of the Yale Law Journal, Judge Alex Kozinski wrote a detailed criticism of the book as rife with factual errors, unreliable research methods, and strong biases in its analysis and tone.
Closed Chambers met with a wave of controversy over Lazarus's voluminous disclosure of the internal deliberations of the Supreme Court, which critics argued was confidential and protected by an oath taken by the law clerks. Similar controversy greeted the publication of Bob Woodward and Scott Armstrong's The Brethren, which relied on interviews with former clerks and Justices, two decades prior.
Lazarus's book was the first to reveal many formerly unknown facts about Supreme Court's decision-making, such as the fact that Justice Anthony Kennedy changed his vote during consideration of the 1992 abortion case Planned Parenthood v. Casey.
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说实话,这本书的语言风格对我来说是一种全新的体验,它不像某些畅销小说那样追求直白的流畅,而是带着一种古典的、略显晦涩的韵味,仿佛每一句话都经过了反复的打磨和锤炼。我尤其喜欢作者对意象的运用,那些反复出现的符号——比如破碎的镜子、永远湿漉漉的街道、特定时间段的钟声——它们并非简单的装饰,而是深深嵌入叙事肌理之中的,每一次出现都为故事增添了新的维度和潜在的含义。我不得不承认,初读时有些地方需要放慢速度,甚至需要回溯重读才能完全领会其间的深意,但这恰恰是其魅力所在。它强迫你成为一个更主动、更投入的读者,去挖掘文本表面之下的潜流。这种文学上的野心值得称赞,它拒绝迎合快餐式的阅读需求,而是提供了一场需要耐心和思考的智力盛宴。读完后,合上书页,脑海中留下的不是情节的简单复述,而是一种挥之不去的情绪氛围,一种关于人性和存在的沉重思考。
评分这本书最让我震撼的,是它对“信任”这一概念的颠覆性探讨。作者构建了一个极其压抑的社会环境,在这个世界里,信息是稀缺品,每个人都戴着多重面具,你无法确定身边最亲近的人是盟友还是潜在的敌人。这种不确定性被处理得极为巧妙,它不是通过大声的指控来实现的,而是通过一系列微妙的误解、未竟的对话和眼神的闪躲来体现的。我感觉自己像是被困在了一个永远无法完全看清面孔的房间里,每一次试图靠近真相的举动,都会引来更深一层的迷雾。角色间的互动充满了张力,那种小心翼翼的试探、试探中迸发出的短暂的脆弱,以及紧接着又被理性重新收紧的盔甲,描绘得入木三分。它让人反思,我们所依赖的现实基础,究竟有多么坚固?这种对人际关系核心的质疑,远比单纯的悬念设置来得更具穿透力。
评分从结构主义的角度来看,这部作品的编排堪称精妙绝伦,它采用了非线性叙事,但在混乱的表象下,却隐藏着一个极其精准的数学般对称结构。作者似乎故意将关键信息散落在不同的时间点和不同的视角中,直到故事的最后阶段,所有的碎片才以一种令人眩晕的速度开始聚合。这种叙事手法要求读者具备高度的专注力,你需要像考古学家一样,对每一个章节提供的“遗迹”进行编号和分析。有那么一瞬间,我甚至觉得作者是在故意戏弄读者,设置了大量的红鲱鱼(Red Herrings),但当最终的画面呈现时,所有那些看似多余的旁枝末节,都像是精确计算过的星辰轨迹,完美地导向了那个结局。它不是那种读完后能立刻用一两句话总结的“简单”故事,它需要你建立自己的阅读地图,而这个过程本身就是一次伟大的冒险。
评分这部作品的氛围营造能力,绝对是顶尖的。它没有依赖大量的血腥或直接的暴力场面来制造恐怖感,而是专注于挖掘那种深埋在心底的、慢性的焦虑。想象一下,在一个永无止境的阴雨天,你被困在一个封闭的空间里,你知道有些事情不对劲,但你无法确切指出“什么”不对劲,这种钝刀子割肉般的体验贯穿始终。环境的描写起到了至关重要的作用,无论是对建筑材料的触感描述,还是对室内空气流动性的刻画,都仿佛在暗示着某种腐朽和停滞。这种沉浸式的感官体验,使得读者不仅仅是旁观者,更像是被锁在了故事的某个角落里,共同承受着那份与世隔绝的压抑感。它探讨的主题深远,但展现方式却极其克制和内敛,正因如此,它所带来的心理冲击才更加持久和强烈,久久不能散去。
评分天哪,这本书的叙事简直让人屏住呼吸,仿佛被无形的力量拖拽进一个层层叠叠的迷宫。作者对细节的捕捉达到了令人发指的程度,每一个场景的描绘都充满了电影般的质感,色彩和光影的运用简直是教科书级别的。我特别欣赏作者在人物内心挣扎上的细腻刻画,那种隐秘的恐惧、对真相的渴求,以及在道德边缘徘徊的痛苦,都通过一些极其生活化的动作和微表情展现出来,让人感同身受,甚至能体会到角色皮肤下的寒意。故事的推进节奏把握得炉火纯青,时而如山洪暴发般令人措手不及,时而又慢条斯理地铺陈,像是在一张古老的地图上缓缓展开标记,每一个转折点都出乎意料却又在回味时感到是如此的合乎逻辑。阅读过程中,我发现自己不断地在脑海中构建各种理论,试图拼凑出作者精心编织的线索,但每一次自以为是的猜测都会被接下来的章节无情地推翻。这种与作者智力上的博弈本身就是一种极大的享受,它不仅仅是阅读,更像是一场高强度的脑力激荡。这本书成功地做到了让读者沉浸其中,忘记了现实世界的时间流逝,完全被故事的张力所牵引。
评分美国最高法院内幕
评分美国最高法院内幕
评分美国最高法院内幕
评分美国最高法院内幕
评分美国最高法院内幕
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