Sahel

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出版者:University of California Press
作者:Sebastiao Salgado
出品人:
頁數:152
译者:
出版時間:2004-10-11
價格:USD 63.00
裝幀:Hardcover
isbn號碼:9780520241701
叢書系列:
圖書標籤:
  • 攝影 
  • 薩爾加多 
  • 非洲 
  • 紀實 
  • 人類學 
  • SAHEL 
  • 攝影畫冊 
  • 大師 
  •  
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In 1984 Sebastião Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work. Illustrations: 88 duotones

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讀完《Genesis》再捧起這本《Sahel》,有種堂前之燕墜入深淵的失重感。 反復想到一句話,"寜為太平犬,莫作亂離人。"

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經典的有關苦難的黑白影像。其實,從這裏學習的不是技術層麵的東西,而是一種關懷和持久的關注。

评分

讀完《Genesis》再捧起這本《Sahel》,有種堂前之燕墜入深淵的失重感。 反復想到一句話,"寜為太平犬,莫作亂離人。"

评分

讀完《Genesis》再捧起這本《Sahel》,有種堂前之燕墜入深淵的失重感。 反復想到一句話,"寜為太平犬,莫作亂離人。"

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翻看完《Genesis》再看這本畫冊簡直就是從天堂跌入地獄的感覺。幾次的在第一眼看到某一頁時身體被戰栗穿透,同時又很驚恐茫然,他們的痛苦穿透紙背嚮我襲來,可那圖像的承載卻又是那樣精緻輕盈。正如同當中的一張照片,眾人散落矗立在沙漠之上,絕對的焦點卻是那個盤鏇在天空中的直升機。

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