"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."
So begins Pride and Prejudice, Jane Austen's perfect comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. "Pride and Prejudice seems as vital today as ever," writes Anna Quindlen in her introduction to this Modern Library edition. "It is a pure joy to read." Eudora Welty agrees: "The gaiety is unextinguished, the irony has kept its bite, the reasoning is still sweet, the sparkle undiminished. [It is] irresistible and as nearly flawless as any fiction could be."
This volume is the companion to the BBC television series, a lavish production aired on the Arts and Entertainment Network.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At twenty-one, she began a novel called “The First Impressions” an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815).
After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby, Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818.
Biography
In 1801, George Austen retired from the clergy, and Jane, Cassandra, and their parents took up residence in Bath, a fashionable town Jane liked far less than her native village. Jane seems to have written little during this period. When Mr. Austen died in 1805, the three women, Mrs. Austen and her daughters, moved first to Southampton and then, partly subsidized by Jane's brothers, occupied a house in Chawton, a village not unlike Jane's first home. There she began to work on writing and pursued publishing once more, leading to the anonymous publication of Sense and Sensibility in 1811 and Pride and Prejudice in 1813, to modestly good reviews.
Known for her cheerful, modest, and witty character, Jane Austen had a busy family and social life, but as far as we know very little direct romantic experience. There were early flirtations, a quickly retracted agreement to marry the wealthy brother of a friend, and a rumored short-lived attachment -- while she was traveling -- that has not been verified. Her last years were quiet and devoted to family, friends, and writing her final novels. In 1817 she had to interrupt work on her last and unfinished novel, Sanditon, because she fell ill. She died on July 18, 1817, in Winchester, where she had been taken for medical treatment. After her death, her novels Northanger Abbey and Persuasion were published, together with a biographical notice, due to the efforts of her brother Henry. Austen is buried in Winchester Cathedral.
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这本书的封面,那种古朴典雅的字体,总是能轻易唤起我对于英格兰乡间生活无限的遐想。我并非第一次拿起它,但每一次重读,都像是与一位久违的老友重逢,熟悉的情节与人物依旧能带来新鲜的感动。故事伊始,那句“普天下所有富裕的单身男子,都一定需要一位太太”便如同一个睿智的宣言,瞬间将我拉入那个充满社会规则与婚姻考量的时代。我特别欣赏作者对于人物内心细致入微的刻画,那种隐藏在礼貌言辞下的暗流涌动,以及那些不动声色的观察与评论,都极具洞察力。每一次,当我读到主人公在社交场合中的种种应对,或是她与家人之间微妙的互动时,都能从中体会到一种属于那个时代的智慧与幽默。那些看似平淡的日常对话,实则暗藏玄机,寥寥数语便勾勒出人物的性格侧面,展现了作者高超的叙事技巧。我喜欢那些描写乡村庄园风光和舞会场景的段落,它们为整个故事增添了色彩与氛围,仿佛我置身其中,能闻到青草的芬芳,听到悠扬的华尔兹。这本书不仅仅是一部爱情小说,它更像是一面镜子,映照出人性的复杂与情感的细腻,每一次翻阅,都能从中汲取新的力量与感悟,让我对生活有了更深的理解。
评分这是一本让我爱不释手的书,它的文字优美,情节引人入胜,人物塑造饱满而真实。我喜欢作者那种细腻的笔触,她能够将人物的内心世界描绘得淋漓尽致,让我仿佛能够走进他们的生活,感受他们的喜怒哀乐。那些充满智慧的对话,以及那些不动声色的讽刺,都让我忍俊不禁,又引人深思。我尤其喜欢书中对于爱情的描绘,那种从最初的误解、试探,到逐渐的理解、欣赏,过程是如此的自然而又令人信服。这本书不仅仅是一部爱情小说,它更是一部关于人性和社会的深刻寓言。它教会我,真正的幸福并非来自外界的认可,而是源于内心的坚定与对真理的追求。每一次阅读,我都能从中获得新的启发,也更加坚定了自己的人生信念。这本书让我看到了,即使在充满挑战的生活中,也总能找到属于自己的幸福,只要我们能够保持一颗真诚的心,并且勇敢地去追求自己所渴望的一切。
评分不得不说,这本书的魅力在于它那经久不衰的生命力。即便已经问世多年,但它所探讨的那些关于人性、情感和社会价值的主题,依然能够引起当代读者的共鸣。我喜欢作者对人物内心世界的深入挖掘,她能够将那些细微的情感波动、复杂的思绪变化,描绘得如此真实而富有感染力。每当我读到某个情节,都会忍不住停下来,思考书中人物所面临的困境,以及他们是如何做出选择的。那些充满智慧的对话,以及那些不动声色的讽刺,都让我忍俊不禁,又引人深思。我尤其欣赏书中对于女性独立意识的描绘,那种在保守社会中努力寻求自我价值的精神,令人敬佩。这本书不仅仅是一部爱情故事,它更是一部关于成长、关于理解、关于如何与世界相处的教科书。它教会我,真正的幸福并非来自外界的认可,而是源于内心的坚定与对真理的追求。每一次重读,我都能从中获得新的启发,也更加坚定了自己的人生信念。
评分这本小说对我而言,更像是一幅精致的浮世绘,它用生动而略带讽刺的笔触,勾勒出了一个特定时代的社会风貌与人情世故。我被作者对人物性格的刻画所深深吸引,那些看似光鲜亮丽的贵族阶层,实则隐藏着种种不为人知的虚伪与算计;而那些看似平凡的人物,却可能拥有着最纯粹的情感与最坚定的意志。我喜欢作者那种不动声色的幽默感,她总能在不经意间,通过人物的言行举止,揭示出人性的弱点与社会的荒谬。读这本书,就像是在品一杯陈年的威士忌,初尝时可能略带一丝苦涩,但回味却愈发醇厚,令人久久不能忘怀。我尤其欣赏那些描绘人物心理转变的段落,那种从最初的误解、抵触,到逐渐的理解、欣赏,过程是如此的自然而又令人信服。这本书让我看到了,真正的爱情并非一蹴而就,而是需要经过时间和磨砺,才能得以升华。每一次阅读,都仿佛在重新经历一次人生的洗礼,让我对生活有了更深刻的理解,也对人性有了更全面的认识。
评分我一直对那些能够跨越时空,触动人心的经典作品情有独钟,而这本书无疑就是其中之一。它所描绘的那个时代,虽然与我们现在的生活天差地别,但其中关于人际关系、家庭责任以及个人价值的探讨,却依然具有深刻的现实意义。我尤其对书中那些独立自主、思想深刻的女性角色印象深刻。她们在那个男权至上的社会环境中,依然能够坚持自己的原则,不随波逐流,这种精神力量至今仍能激励着我。作者的笔触细腻而富有力量,她能够将人物的心理变化描绘得淋漓尽致,让我们能够感同身受。我沉迷于那些人物之间充满智慧的对话,每一次的辩论与试探,都充满了张力,让人欲罢不能。那些关于傲慢与偏见如何影响人们判断与选择的描写,更是引人深思。我常常会在合上书本之后,回味那些情节,思考自己是否也曾在生活中经历过类似的困境,是否也曾因为自己的固执而错失了某些重要的东西。这本书是一场关于成长与和解的深刻旅程,它教会我如何去理解他人,如何去审视自我,也让我更加珍惜那些真挚的情感。
评分如果middlemarch是西方的红楼梦,那这部小品一样的旷世名作没了对照物
评分如果middlemarch是西方的红楼梦,那这部小品一样的旷世名作没了对照物
评分如果middlemarch是西方的红楼梦,那这部小品一样的旷世名作没了对照物
评分实在不是很会读。。。
评分实在不是很会读。。。
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