In The End of the Poem, Paul Muldoon dazzlingly explores a diverse group of poems, from Yeats’s “All Souls’ Night” to Stevie Smith’s “I Remember” to Fernando Pessoa’s “Autopsychography.” Muldoon reminds us that the word “poem” comes, via French, from the Latin and Greek: “a thing made or created.” He asks: Can a poem ever be a free-standing structure, or must it always interface with the whole of its author’s bibliography—and biography? Muldoon explores the boundlessness created by influence, what Robert Frost meant when he insisted that “the way to read a poem in prose or verse is in the light of all the other poems ever written.”
Finally, Muldoon returns to the most fruitful, and fraught, aspect of the phrase “the end of the poem”: the interpretation that centers on the “aim” or “function” of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent and deeply learned, The End of the Poem is a vigorous approach to looking at poetry anew.
具体描述
读后感
评分
评分
评分
评分
用户评价
读了两个月了，费劲得要死。极其无趣，虽然这位诗人批评家学问挺好挺怪，能发人所未想，但是太离奇琐碎。诗被这样分析很没劲。
评分读了两个月了，费劲得要死。极其无趣，虽然这位诗人批评家学问挺好挺怪，能发人所未想，但是太离奇琐碎。诗被这样分析很没劲。
评分读了两个月了，费劲得要死。极其无趣，虽然这位诗人批评家学问挺好挺怪，能发人所未想，但是太离奇琐碎。诗被这样分析很没劲。
评分读了两个月了，费劲得要死。极其无趣，虽然这位诗人批评家学问挺好挺怪，能发人所未想，但是太离奇琐碎。诗被这样分析很没劲。
评分读了两个月了，费劲得要死。极其无趣，虽然这位诗人批评家学问挺好挺怪，能发人所未想，但是太离奇琐碎。诗被这样分析很没劲。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有