In The End of the Poem, Paul Muldoon dazzlingly explores a diverse group of poems, from Yeats’s “All Souls’ Night” to Stevie Smith’s “I Remember” to Fernando Pessoa’s “Autopsychography.” Muldoon reminds us that the word “poem” comes, via French, from the Latin and Greek: “a thing made or created.” He asks: Can a poem ever be a free-standing structure, or must it always interface with the whole of its author’s bibliography—and biography? Muldoon explores the boundlessness created by influence, what Robert Frost meant when he insisted that “the way to read a poem in prose or verse is in the light of all the other poems ever written.”
Finally, Muldoon returns to the most fruitful, and fraught, aspect of the phrase “the end of the poem”: the interpretation that centers on the “aim” or “function” of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent and deeply learned, The End of the Poem is a vigorous approach to looking at poetry anew.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
讀瞭兩個月瞭，費勁得要死。極其無趣，雖然這位詩人批評傢學問挺好挺怪，能發人所未想，但是太離奇瑣碎。詩被這樣分析很沒勁。
评分讀瞭兩個月瞭，費勁得要死。極其無趣，雖然這位詩人批評傢學問挺好挺怪，能發人所未想，但是太離奇瑣碎。詩被這樣分析很沒勁。
评分讀瞭兩個月瞭，費勁得要死。極其無趣，雖然這位詩人批評傢學問挺好挺怪，能發人所未想，但是太離奇瑣碎。詩被這樣分析很沒勁。
评分讀瞭兩個月瞭，費勁得要死。極其無趣，雖然這位詩人批評傢學問挺好挺怪，能發人所未想，但是太離奇瑣碎。詩被這樣分析很沒勁。
评分讀瞭兩個月瞭，費勁得要死。極其無趣，雖然這位詩人批評傢學問挺好挺怪，能發人所未想，但是太離奇瑣碎。詩被這樣分析很沒勁。
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