Metafiction begins by surveying the state of contemporary fiction in Britain and America and explores the complex political, social and economic factors which influence critical judgment of fiction. The author shows how, as the novel has been eclipsed by the mass media, novelists have sought to retain and regain a wide readership by drawing on the themes and preoccupations of these forms. Making use of contemporary fiction by such writers as Fowles, Borges, Spark, Barthelme, Brautigan, Vonnegut and Barth, and drawing on Russian Formalist theories of literary evolution, the book argues that metafiction uses parody along with popular genres and non-literary forms as a way not only of exposing the inadequate and obsolescent conventions of the classic novel, but of stuggesting the lines along which fiction might develop in the future.
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看到Kilgore Trout都快泪流满面了……老冯T T 该提的点都在了，语言转向，self-referential，parody与神使鬼差的作者，只是后设世界中想找一个解实在不易。只怪自己没长进，两年前读洛奇君时欠下的功课至今没补上。估计明天写论文还是云里雾里。滚床先。
评分1984年就出了这样一本书，实属不易。文学的本体论，似乎很少有人关注这块。
评分看到Kilgore Trout都快泪流满面了……老冯T T 该提的点都在了，语言转向，self-referential，parody与神使鬼差的作者，只是后设世界中想找一个解实在不易。只怪自己没长进，两年前读洛奇君时欠下的功课至今没补上。估计明天写论文还是云里雾里。滚床先。
评分看到Kilgore Trout都快泪流满面了……老冯T T 该提的点都在了，语言转向，self-referential，parody与神使鬼差的作者，只是后设世界中想找一个解实在不易。只怪自己没长进，两年前读洛奇君时欠下的功课至今没补上。估计明天写论文还是云里雾里。滚床先。
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