Representing Non-Western Music in Nineteenth-Century Britain 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Zon, Bennett 作者

Boydell & Brewer Inc

譯者

出版日期

344 頁數

$ 84.75 價格

HRD

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9781580462594 圖書編碼

Representing Non-Western Music in Nineteenth-Century Britain 在線電子書圖書標籤: studies music

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發表於2024-12-28

Representing Non-Western Music in Nineteenth-Century Britain 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Representing Non-Western Music in Nineteenth-Century Britain 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Representing Non-Western Music in Nineteenth-Century Britain 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Representing Non-Western Music in Nineteenth-Century Britain 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Representing Non-Western Music in Nineteenth-Century Britain 在線電子書圖書描述

Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues -- race, orientalism, otherness, evolution -- and explores the influence of important anthropological theories on the perception of non-Western music. The book also considers a wide range of other writings of the period, from psychology and travel literature to musicology and theories of musical transcription, and it reflects on the historically problematic term "ethnomusicology." Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism. Zon looks at the effect of evolutionism on the musical press, general music histories, and histories of national music. He also treats the work of Charles Samuel Myers, the first Britain to record non-Western music in the field, and explores how A. H. Fox Strangways used contemporary translation theory as an analogy for transcription in The Music of Hindostan (1914) to show that individuality can be retained by embracing foreign elements rather than adapting them to Western musical style. Bennett Zon is Reader in Music and Fellow of the Institute of Advanced Study, Durham University UK and author of Music and Metaphor in Nineteenth-Century British Musicology (Ashgate, 2000).

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