Playing to the World's Biggest Audience 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Playing to the World's Biggest Audience

简体网页||繁体网页
Michael Curtin 作者
University of California Press
译者
2007-08-02 出版日期
341 页数
USD 26.95 价格
Paperback
丛书系列
9780520251342 图书编码

Playing to the World's Biggest Audience 在线电子书 图书标签: 电影  film-studies  英文  香港  论文  理论    传媒   


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发表于2024-07-02


Playing to the World's Biggest Audience 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Playing to the World's Biggest Audience 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Playing to the World's Biggest Audience 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Playing to the World's Biggest Audience 在线电子书 著者简介

Michael Curtin is Professor of Communication Arts and Director of Global Studies at the University of Wisconsin, Madison. He is also the author of Media Capital: The Cultural Geography of Globalization and Redeeming the Wasteland: Television Documentary and Cold War Politics.


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Playing to the World's Biggest Audience 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Playing to the World's Biggest Audience 在线电子书 图书描述

In this provocative analysis of screen industries in China, Hong Kong, Taiwan, and Singapore, Michael Curtin delineates the globalizing pressures and opportunities that since the 1980s have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, the escalation of democracy movements, and the emergence of an East Asian youth culture. Reaching beyond national frameworks, Curtin examines the prospect of a global Chinese audience that will include more viewers than in the United States and Europe combined. He draws on in-depth interviews with a diverse array of media executives plus a wealth of historical material to argue that this vast and increasingly wealthy market is likely to shake the very foundations of Hollywood’s century-long hegemony.

Playing to the World’s Biggest Audience profiles the leading Chinese commercial studios and telecasters, and delves into the operations of Western conglomerates extending their reach into Asia. Advancing a dynamic and integrative theory of media capital, this innovative book explains the histories and strategies of screen enterprises that aim to become central players in the Global China market and offers an alternative perspective to recent debates about cultural globalization.

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