Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
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一星差评纯属个人原因：我就是因为不小心cite了这本书的一句话，被教授逼着读了Deleuze和Bergson！我现在生不如死。
评分Branigan的行文tm太糟糕了，一个无比简单的东西讲的无比复杂还没讲清，另外概念无比混淆，完全不尊重前人已成框架（貌似不少电影学者通病），全书篇章结构混乱，唯独主观性一章可以看看，回头还是翻他的旧书好。看的极不通畅，窝火，跟DB和AG都差太多
评分film theory的期末论文题目 Using Edward Branigan’s discussion of narrative and narration, provide an analysis of any one film.
评分film theory的期末论文题目 Using Edward Branigan’s discussion of narrative and narration, provide an analysis of any one film.
评分一星差评纯属个人原因：我就是因为不小心cite了这本书的一句话，被教授逼着读了Deleuze和Bergson！我现在生不如死。
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