Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
具體描述
讀後感
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用戶評價
一星差評純屬個人原因：我就是因為不小心cite瞭這本書的一句話，被教授逼著讀瞭Deleuze和Bergson！我現在生不如死。
评分一星差評純屬個人原因：我就是因為不小心cite瞭這本書的一句話，被教授逼著讀瞭Deleuze和Bergson！我現在生不如死。
评分film theory的期末論文題目 Using Edward Branigan’s discussion of narrative and narration, provide an analysis of any one film.
评分Branigan的行文tm太糟糕瞭，一個無比簡單的東西講的無比復雜還沒講清，另外概念無比混淆，完全不尊重前人已成框架（貌似不少電影學者通病），全書篇章結構混亂，唯獨主觀性一章可以看看，迴頭還是翻他的舊書好。看的極不通暢，窩火，跟DB和AG都差太多
评分Branigan的行文tm太糟糕瞭，一個無比簡單的東西講的無比復雜還沒講清，另外概念無比混淆，完全不尊重前人已成框架（貌似不少電影學者通病），全書篇章結構混亂，唯獨主觀性一章可以看看，迴頭還是翻他的舊書好。看的極不通暢，窩火，跟DB和AG都差太多
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