Virtual Voyages 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Ruoff, Jeffrey 作者

Duke Univ Pr

譯者

2006-1 出版日期

312 頁數

$ 28.19 價格

Pap

叢書系列

9780822337133 圖書編碼

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發表於2024-11-27

Virtual Voyages 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Virtual Voyages 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Virtual Voyages 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Virtual Voyages 在線電子書用戶評價

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Slightly disappointed, especially by the editor's introduction and chapter. Paula Amad and Dana Benelli's essays are the best in the volume in my perspective, with convincing argument and elegant writing style. Undoubtedly "trave film" needs more academic attention and serious scholarly treatment, and a conceptual framework is yet to be constructed

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Virtual Voyages 在線電子書著者簡介

Virtual Voyages 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Virtual Voyages 在線電子書圖書描述

Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the post-war era of 16mm distribution, and today continues to flourish in IMAX theatres and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel. Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.

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