Hollywood screening of potential tourist destinations has generated new tourist industries globally, transforming conventional tourist marketing and experience. This book takes a closer look at the phenomenon of 'cinematic tourism', exploring audiences' perceptions of film and their covert relationship with tourist advertising campaigns, alongside the nature of, and resistance to, newly-born tourist industries. Drawing on a wide range of disciplines, this original and contemporary book will be of compelling interest for students and scholars who work in the social sciences.
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