A Streetcar Named Desire

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田纳西·威廉斯(Tennessee Williams,1911-1983)是美国20世纪最伟大的三大戏剧家之一(另外两位是尤金·奥尼尔和阿瑟·米勒),同时也是全世界范围内最重要的剧作家之一。1948年和1955年分别以其《欲望号街车》及《热铁皮屋顶上的猫》两度赢得普利策奖和戏剧评论奖;《玻璃动物园》和《鬣蜥之夜》也分别于1945年和1961年拿下纽约戏剧评论奖;1952年的玫瑰黥纹》获得托尼奖最佳戏剧奖殊荣。

出版者:New Directions
作者:Tennessee Williams
出品人:
页数:224
译者:
出版时间:2004-9
价格:USD 11.95
装帧:Paperback
isbn号码:9780811216029
丛书系列:
图书标签:
  • 美国 
  • 戏剧 
  • Tennessee_Williams 
  • Play 
  • 剧本 
  • TennesseeWilliams 
  • 英文 
  • 外国文学 
  •  
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The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller ( Death of a Salesman and The Crucible ), and Williams' essay "The World I Live In." It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s. Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire ? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire . This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.

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美国南部的新奥尔良,有一条叫埃里西安的街道,街角有一幢灰白的两层楼房。住在楼里的人们时常能听见破旧的电车轰隆隆地从街上驶过。那天,一楼的一对姐妹议论起了男女之间的悲欢离合。妹妹斯黛拉把男女情爱比喻成“那种暗地里发生的事儿”,姐姐布兰琪说得更坦率:“你说的的...  

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在《欲望号街车》一书中,处处充斥着简单的近乎粗暴的二元对立,田纳西以隐晦在字句中的文学意象逐步引领读者探索着这些非黑即白的既定事实。在情感交织与矛盾冲突中游走的近乎暧昧的界限,也随着这些意象的运用构架出多方位立体的视图,在每位主人公的切身体会下,越发的呈现...  

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"JE SUIS LA DAME AUX CAMELLIAS! VOUS ETES - ARMAND!" Don't want to bother with rating a classic

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Loved it a lot.

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比较喜欢之前读的Tennessee Williams 人物情感更脆弱更细腻 这部随时切到歇斯底里模式不太合口味 但是动态版一定要看! 马龙白兰度+费雯丽啊!

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剧本好看 电影给力

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最后的自我访谈也好棒……三大剧作家读下来的感觉,奥尼尔是沉沉的黑夜和雾,阿瑟米勒是利剑与重锤,田纳西威廉斯是被碾碎的玻璃塑像。另外,有一个读原剧本才感觉非常强烈的点,布兰奇说在Belle Reve的时候,死亡的对面是欲望,她悄悄跑出去和兵营的男孩子约会,然后有卡车来,把那些男孩子像是collecting daisies那样带走。读到daisies的时候突然想到pushing daisies含义就是死亡,欲望和死亡的交织在这个表达当中突然联系在一起,太棒了

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