How I Learned to Drive - Acting Edition pdf epub mobi txt 电子书 下载 2025
Paula Vogel is an American playwright and university professor. She received the 1998 Pulitzer Prize for Drama for her play, How I Learned to Drive.
Vogel was born in Washington, D.C. to Donald Stephen Vogel, an advertising executive, and Phyllis Rita Bremerman, a secretary for United States Postal Service Training and Development Center. She is a graduate of The Catholic University of America (1974, B.A.) and Cornell University (1976, M.A.). Vogel also attended Bryn Mawr College from 1969 to 1970 and 1971 to 1972.
A productive playwright since the late 1970s, Vogel first came to national prominence with her AIDS-related seriocomedy The Baltimore Waltz, which won the Obie award for Best Play in 1992. She is best known for her Pulitzer Prize-winning play How I Learned To Drive (1997), which examines the impact and echoes of child sexual abuse and incest. Other notable plays include Desdemona, A Play About A Handkerchief (1979); The Oldest Profession (1981); And Baby Makes Seven (1984); Hot 'N Throbbing (1994); and The Mineola Twins (1996).
- 戏剧
- 女性
- 英文
- 美国
- 剧本
- 美國
- 权力
- 女性主义
The 1950s pop music accompanying Li'l Bit's excursion down memory lane cannot drown out the ghosts of her past. Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.
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很棒！文本中的女性都是男权社会的产物。最无奈的就是没有人察觉，并习以为常，成为迫害自己的捍卫者。最复杂的就是Peck，很难定性他的行为。或许就像《女性瘾者》说的一样，作为一个恋童癖者，他根本就是一个男孩，卑微、怯弱却又一直无法摆脱自己深层欲望的控制。可悲的是，洛丽塔终究会长大，Herbert却永远还是Herbert。学开车是一场成人礼，Bit从Pussy成了wild cat；而Perk失去驾照，也就完全失去了生活的控制。这种引入古希腊chorus来淡化群众的效果真赞！就像chiaroscuro一样，舞台只剩两柱spotlights，很好地聚焦以突出主角的对立，这才是真正的protagonist vs antagonist！叙事技巧在蒙太奇和意识流和倒叙插叙中玩得真是精彩，人物塑造既复杂又丰满
评分自传 性启蒙 好用的叙事手段
评分其实我不太明白为什么大家都说这是女权主义文本的
评分很棒！文本中的女性都是男权社会的产物。最无奈的就是没有人察觉，并习以为常，成为迫害自己的捍卫者。最复杂的就是Peck，很难定性他的行为。或许就像《女性瘾者》说的一样，作为一个恋童癖者，他根本就是一个男孩，卑微、怯弱却又一直无法摆脱自己深层欲望的控制。可悲的是，洛丽塔终究会长大，Herbert却永远还是Herbert。学开车是一场成人礼，Bit从Pussy成了wild cat；而Perk失去驾照，也就完全失去了生活的控制。这种引入古希腊chorus来淡化群众的效果真赞！就像chiaroscuro一样，舞台只剩两柱spotlights，很好地聚焦以突出主角的对立，这才是真正的protagonist vs antagonist！叙事技巧在蒙太奇和意识流和倒叙插叙中玩得真是精彩，人物塑造既复杂又丰满
评分重标一遍单行本。也许这次，我终于得以沉下来好好读它。五星不足以说明。
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