Josef Sudek was Prague's Atget. From the mid-1920s until his death in 1976, Sudek photographed everything--the Gothic and Baroque architecture, the streets and objects--usually leaving the frame free of people. Where Atget photographed the social realities of Paris, Sudek captured a more subjective experience of the city where he was born. Because he was reclusive, a large portion of Sudek's body of work was captured through his studio window--he was particularly fond of how the glass refracted light. "The Window of My Studio" series, spanning from the beginning of the Second World War to the first half of the 1950s, has never previously been compiled in one volume. This publication presents the series, which was of fundamental importance to Sudek, for it caused his work to verge even more into a Surreal or Magical Realist style, with blurred images and strong shadows. Photography historian Anna Farova contributes an introduction and an extensive biographical chronology to this volume, which also includes a complete bibliography of portfolios, books and catalogues of Sudek's work, as well as a complete list of his exhibitions--information that is difficult to find elsewhere. The publication has been produced in collaboration with the Art Gallery of Ontario.
具體描述
讀後感
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用戶評價
詩人說：我深信攝影是拍攝平庸的被攝物…我喜歡講述有關無生命被攝物生活的故事，以及涉及某些神秘的東西…如果你嚴肅地對待攝影學，則你勢必也喜歡另一種藝術形式，對我而言那就是音樂。這種聆聽音樂可在我的作品中顯露齣來，就像鏡子中反射那樣...我沒有特彆偏好…對那些有明確定義的東西；我喜歡有生命、有活力的，而生活是與幾何原理和定律完全不同的；在生活中簡單的安全是沒有地位。
评分詩人說：我深信攝影是拍攝平庸的被攝物…我喜歡講述有關無生命被攝物生活的故事，以及涉及某些神秘的東西…如果你嚴肅地對待攝影學，則你勢必也喜歡另一種藝術形式，對我而言那就是音樂。這種聆聽音樂可在我的作品中顯露齣來，就像鏡子中反射那樣...我沒有特彆偏好…對那些有明確定義的東西；我喜歡有生命、有活力的，而生活是與幾何原理和定律完全不同的；在生活中簡單的安全是沒有地位。
评分約瑟夫休德剋
评分約瑟夫休德剋
评分約瑟夫休德剋
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