Minna Törmä is Lecturer of Chinese Art at Christie’s Education London and School of Culture and Creative Arts, University of Glasgow; and Adjunct Professor of Art History at University of Helsinki.
Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fields in Chinese art studies: architecture, sculpture, painting and garden art.
The study charts Sirén’s itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
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书写的真好,喜龙仁的思想和学术研究传记,很细致地谈到了原本研究意大利艺术的喜龙仁为何会对中国艺术感兴趣,其间的思想转变写的很细致,作者对材料的收集与整理很严谨
评分Minna和导师都开口自然要看谁让罗拉不够学术背景环境只能零散挖掘了 paved the ground work传记性可读有些意思Siren及其collecting network西方视角同一时期中交易市场 日本角度鉴赏中转 collectionS形成史 可按图录名词索骥
评分Minna和导师都开口自然要看谁让罗拉不够学术背景环境只能零散挖掘了 paved the ground work传记性可读有些意思Siren及其collecting network西方视角同一时期中交易市场 日本角度鉴赏中转 collectionS形成史 可按图录名词索骥
评分Minna和导师都开口自然要看谁让罗拉不够学术背景环境只能零散挖掘了 paved the ground work传记性可读有些意思Siren及其collecting network西方视角同一时期中交易市场 日本角度鉴赏中转 collectionS形成史 可按图录名词索骥
评分书写的真好,喜龙仁的思想和学术研究传记,很细致地谈到了原本研究意大利艺术的喜龙仁为何会对中国艺术感兴趣,其间的思想转变写的很细致,作者对材料的收集与整理很严谨
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