Hui Faye Xiao is assistant professor of modern Chinese literature and culture at the University of Kansas.
As state control of private life in China has loosened since 1980, citizens have experienced an unprecedented family revolution - an overhaul of family structure, marital practices, and gender relationships. While the nuclear family has become a privileged realm of romance and individualism symbolizing the post-revolutionary “freedoms” of economic and affective autonomy, women’s roles in particular have been transformed, with the ideal “iron girl” of socialism replaced by the feminine, family-oriented “good wife and wise mother.”
Problems and contradictions in this new domestic culture have been exposed by China's soaring divorce rate. Reading popular “divorce narratives” in fiction, film, and TV drama, Hui Faye Xiao shows that the representation of marital discord has become a cultural battleground for competing ideologies within post-revolutionary China. While these narratives present women’s cultivation of wifely and maternal qualities as the cure for family disintegration and social unrest, Xiao shows that they in fact reflect a problematic resurgence of traditional gender roles and a powerful mode of control over supposedly autonomous private life.
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Kansas http://ealc.ku.edu/personnel
评分這本書比Mei Fong 的One Child貴瞭一倍還轉彎,事實證明確實是沒有可比性的,讀起來酣暢淋灕,不愧是當年售空書籍。肖慧老師從大眾文化的角度講傢庭的核心化,私有化,講離婚女人的傳統迴歸與身份遊離,講跨文化環境下公眾想象中的歐美社會性彆。就這個枝節繁復的問題,這種清晰程度幾近要給五星。
评分從離婚這個切口展開談當代中國的傢庭結構、婚姻實踐、性彆關係等,嚴謹而推展流暢
评分Kansas http://ealc.ku.edu/personnel
评分Kansas http://ealc.ku.edu/personnel
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