Shifting Stories 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Shifting Stories

简体网页||繁体网页
Sarah M. Allen 作者
Harvard University Asia Center
译者
2014-10-13 出版日期
300 页数
USD 39.95 价格
Hardcover
Harvard-Yenching Institute Monograph Series 丛书系列
9780674417205 图书编码

Shifting Stories 在线电子书 图书标签: 隋唐史  艺术史  海外中国研究  文学  中国古代史  NewBooksNetwork  海外汉学  文学史   


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发表于2024-06-20


Shifting Stories 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Shifting Stories 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Shifting Stories 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Shifting Stories 在线电子书 用户评价

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The book's main body reveals a consistent process through which 小说 traveled from "community based gossip/lore" to "authored literary text" between the late-7th c. and the mid-9th c. The two chapters on strange encounters (Ch.3 & 4) don't fit into this storyline though. Ch.6 touches on the authorship issue through a witty perspective, "anthology."

评分

The book's main body reveals a consistent process through which 小说 traveled from "community based gossip/lore" to "authored literary text" between the late-7th c. and the mid-9th c. The two chapters on strange encounters (Ch.3 & 4) don't fit into this storyline though. Ch.6 touches on the authorship issue through a witty perspective, "anthology."

评分

Robert Hymes唐代史week 6。欣赏格式不欣赏内容。

评分

The book's main body reveals a consistent process through which 小说 traveled from "community based gossip/lore" to "authored literary text" between the late-7th c. and the mid-9th c. The two chapters on strange encounters (Ch.3 & 4) don't fit into this storyline though. Ch.6 touches on the authorship issue through a witty perspective, "anthology."

评分

做了一些重要的澄清。不过确实,三四两章偏共时性的分析与全书从口头到书面的大走向有不协调之处。从一个版本到另一个版本的流变过程讲的是一种故事,但是从一个故事形态学框架扩充成具体叙事涉及的是一种不同的内驱力。正如讲故事的人在讲一个“好”故事与讲“这个”故事之间挣扎一样,作者本人似乎也陷入了从抽象层面解释故事的生成机制与从历史层面观察故事的流变过程之间的撕扯。

Shifting Stories 在线电子书 著者简介

Sarah M. Allen is Assistant Professor of Chinese at Wellesley College.


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Shifting Stories 在线电子书 图书描述

Shifting Stories explores the tale literature of eighth- and ninth-century China to show how the written tales we have today grew out of a fluid culture of hearsay that circulated within elite society. Sarah M. Allen focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult. She demonstrates how writers borrowed and adapted stories and plots already in circulation and how they transformed them—in some instances into unique and artfully wrought tales. For most readers of that era, tales remained open texts, subject to revision by many hands over the course of transmission, unconstrained by considerations of textual integrity or authorship. Only in the mid- to late-ninth century did some readers and editors come to see the particular wording and authorship of a tale as important, a shift that ultimately led to the formation of the Tang tale canon as it is envisioned today.

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