'Mamma was fast asleep at home, her spirit lapped in unconsciousness. Her dreams would not divine that her daughter had stolen out to meet a lover. And next door also they slept unawares, while one of them broke from the circle and came alone to clasp a stranger ...' Judith Earle, over-earnest and inexperienced, has always been a little in love with each of the four cousins who come to stay next door and, on her return from Cambridge, becomes madly in love with one of them - Roddy, the 'sensation-hunter'. DUSTY ANSWER traces with delicate nostalgia childhood friendships and the pangs of thwarted young love.
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She was rid at last of the weakness, the futile obsession of dependence on other people. She had nobody now except herself; and that was best. 波伏娃在第一卷自传中反复提到两本对她有甚大影响的小说：《故梦 》（le grand Maulnes)还有《尘埃》（Poussières, 原名Dusty Answers）。前者的节选出现在我初二的教材中，可谓家喻户晓的故事，而后者却从来没人提过。我手中的1927年第三版有十分漂亮的藏书票，临摹了一张贴在办公室书架下， 画的是个骑鹿捧书在沙漠中望月的卷发男孩，脚下是绵绵沙丘重重阴影。
评分She was rid at last of the weakness, the futile obsession of dependence on other people. She had nobody now except herself; and that was best. 波伏娃在第一卷自传中反复提到两本对她有甚大影响的小说：《故梦 》（le grand Maulnes)还有《尘埃》（Poussières, 原名Dusty Answers）。前者的节选出现在我初二的教材中，可谓家喻户晓的故事，而后者却从来没人提过。我手中的1927年第三版有十分漂亮的藏书票，临摹了一张贴在办公室书架下， 画的是个骑鹿捧书在沙漠中望月的卷发男孩，脚下是绵绵沙丘重重阴影。
评分原谅我可是我读的时候总是觉得这是个玛丽苏的意淫故事...个人不是很喜欢此书的叙事节奏和语言
评分原谅我可是我读的时候总是觉得这是个玛丽苏的意淫故事...个人不是很喜欢此书的叙事节奏和语言
评分She was rid at last of the weakness, the futile obsession of dependence on other people. She had nobody now except herself; and that was best. 波伏娃在第一卷自传中反复提到两本对她有甚大影响的小说：《故梦 》（le grand Maulnes)还有《尘埃》（Poussières, 原名Dusty Answers）。前者的节选出现在我初二的教材中，可谓家喻户晓的故事，而后者却从来没人提过。我手中的1927年第三版有十分漂亮的藏书票，临摹了一张贴在办公室书架下， 画的是个骑鹿捧书在沙漠中望月的卷发男孩，脚下是绵绵沙丘重重阴影。
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