剋莉絲汀•湯普森,一位任職於威斯康星大學麥迪遜分校的榮譽研究員。《古典好萊塢電影:1960年以前的電影風格和産品模式》一書的閤著者。
In this book, the author offers an analysis of Hollywood's storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films. She also takes on the myth that modern Hollywood films are based on a narrative system radically different from the one in use during the golden age of the studio system. Drawing on a wide range of films from the 1920s to the 1990s - from Keaton's"Our Hospitality" to "Casablanca" to "Terminator 2" - Thompson explains such staples of narratives as the goal-oriented protagonist, the double plot-line, and dialogue hooks. She demonstrates that the "three-act structure," a concept widely used by practitioners and media commentators, fails to explain how Hollywood stories are put together. The author then demonstrates in detail how classical narrative techniques work in ten box-office and critical successes made since the new Hollywood began in the 1970s: "Tootsie", "Back to the Future", "The Silence of the Lambs", "Groundhog Day", "Desperately Seeking Susan", "Amadeus", "The Hunt for Red October", "Parenthood", "Alien", and "Hannah and her Sisters". In passing, she suggests reasons for the apparent slump in quality in Hollywood films of the 1990s. The results will be of interest to movie fans, scholars, and film practitioners alike.
好莱坞作为世界最具强势的文化工业,近百年来在全球电影市场中呼风唤雨,创造着持续独领风骚的神话,其影响力之大,是其他任何民族电影都莫可企及的。在这样的既定事实下,好莱坞吸引了无数研究者的兴趣,他们对好莱坞成功的秘密进行了从政治到文化的多角度探索与思考,且成果...
評分350页,《汉娜姐妹〉,如何强调叙事的不可预测性: 没有突出的明星, 主要人物戏份均衡--在叙事中作用同等重要, 多情节线, 无正反打镜头,摇拍跟随移动人物(而非镜头剪辑),使多个角色出现在同一镜头,保持平衡的构图,长镜头强调整体感 音轨中同时有多层声音和对话同时进...
評分因为里面刚好有《莫扎特》的结构分析啊。。。还算好书一本吧。。。相对单调。。。只有10个左右电影分析。。。而且都是好莱坞的。。。好莱坞嘛,文艺青年相对鄙视。。。
評分因为里面刚好有《莫扎特》的结构分析啊。。。还算好书一本吧。。。相对单调。。。只有10个左右电影分析。。。而且都是好莱坞的。。。好莱坞嘛,文艺青年相对鄙视。。。
評分因为里面刚好有《莫扎特》的结构分析啊。。。还算好书一本吧。。。相对单调。。。只有10个左右电影分析。。。而且都是好莱坞的。。。好莱坞嘛,文艺青年相对鄙视。。。
編劇用書吧,這種結論其實,我就不評論瞭。
评分編劇用書吧,這種結論其實,我就不評論瞭。
评分編劇用書吧,這種結論其實,我就不評論瞭。
评分編劇用書吧,這種結論其實,我就不評論瞭。
评分編劇用書吧,這種結論其實,我就不評論瞭。
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