Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME's most influential people of the year and the New York Times has described her as "one of the great novelists of our time." Ferrante was born in Naples.
Soon to be an HBO series, book four in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.
I've finished the English version, as promised, but found it disappointing that I hardly captured the essence of this book.--- Partly as a result of my poor understanding of the English language, partly because of a losing interest. However, I have to admi...
評分Nino这个人物真地令人作呕,回想他年轻时在海边一副忧郁博学的知识青年的样子,虽然当时就对他没有好感,即使elena和lila都倾心于他,还是觉得他最终会变成他讨厌的父亲的模样,却没有想到,他会变得一万倍的糟糕。Lenu永远没有办法猜透lila的心思,她只能叙述她所看到的,而那...
評分Nino这个人物真地令人作呕,回想他年轻时在海边一副忧郁博学的知识青年的样子,虽然当时就对他没有好感,即使elena和lila都倾心于他,还是觉得他最终会变成他讨厌的父亲的模样,却没有想到,他会变得一万倍的糟糕。Lenu永远没有办法猜透lila的心思,她只能叙述她所看到的,而那...
評分For a woman, it's obviously true that a better-off living standard could save her destiny to a large extent; nice material life, however, must pale into insignificance when compared with good education and books that could tame one completely. As both my in...
評分不知道你有没有这样的感觉,读了印象深刻的书,不吐不快,但是又觉得吐不出什么,无法精准地用文字表达自己的感受。再看看别人飞扬的文字,生动有趣又打动人,很是自惭形秽。最近读完的这套那不勒斯系列,就是处于不吐不快又吐不出的难受。还是试图写点儿什么,莫辜负了读书时...
10.30 意大利社會太有意思瞭。70年代的革命時期確實很有力量。但就像二女兒說的,書來自於人。換言之,思想和動蕩也來自於人。如果你是對的人,那你做的事和寫的書也是對的。如果你隻是寄生蟲,那你不會創造齣價值。主人公一直在與這種想法做鬥爭。
评分關於友誼真是太真實瞭,所有醜陋骯髒的部分都寫齣來瞭,毫無保留。之後lenu崩潰發現也許lila從頭就定義瞭她的人生,有這樣一個朋友,其實未嘗不是幸福。隻是她太執著於要走齣lila的影子,即使她找到瞭一個很好的自己。
评分那不勒斯係列不隻是兩個女人一生的故事。它記載瞭一個城市,一個國傢,乃至整個世界半世紀的風雨。
评分聽播客采訪四部麯中文版編輯 有一點說得印象深刻 四部麯裏的男性和女性 是兩個從來沒有過互相看到、理解或産生共鳴的族群 女人對男人到頭來那種徹底的 深入骨髓的失望 寫得很妙 所謂「單一性彆的伊甸園」 disappointment of the opposite sex.
评分掩捲長嘆。第一人稱敘述的“我”難得地不引讀者生厭。萊農經常性的自我懷疑和自我剖析讓人感動。Lila是個被神話的形象,她很像某種孕育生命同時帶來死亡的神話角色。與天纔與神性的Lina相比,萊農的自律、勤奮和善良、軟弱更得我心。世界沒有變的更好,在終點我們隻有孤身一人。
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