The Nearest Thing to Life

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James Douglas Graham Wood is an English literary critic, essayist and novelist. He is currently Professor of the Practice of Literary Criticism at Harvard University (a part-time position) and a staff writer at The New Yorker magazine.

Wood advocates an aesthetic approach to literature, rather than more ideologically-driven trends in academic literary criticism.

Wood is noted for coining the genre term hysterical realism, which he uses to denote the contemporary conception of the "big, ambitious novel" that pursues vitality "at all costs." Hysterical realism describes novels that are characterized by chronic length, manic characters, frenzied action, and frequent digressions on topics secondary to the story.

出版者:Brandeis
作者:James Wood
出品人:
頁數:144
译者:
出版時間:2015-4-28
價格:USD 19.95
裝幀:Paperback
isbn號碼:9781611687422
叢書系列:
圖書標籤:
  • James-Wood 
  • 文學 
  • 非虛構 
  • 英文 
  • 英國 
  • 文學評論 
  • 文學理論 
  • criticism 
  •  
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In this remarkable blend of memoir and criticism, James Wood has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives, and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works – among others, Chekhov’s story ‘The Kiss’, W.G. Sebald’s The Emigrants, and Fitzgerald’s The Blue Flower.

Wood reveals his own intimate relationship with the written word: we see the development of a provincial boy growing up in a charged Christian environment, the secret joy of his childhood reading, the links he makes between reading and blasphemy, or between literature and music. The final section discusses fiction in the context of exile and homelessness. The Nearest Thing to Life is not simply a brief, tightly argued book by a man commonly regarded as our finest living critic – it is also an exhilarating personal account that reflects on, and embodies, the fruitful conspiracy between reader and writer (and critic), and asks us to re-consider everything that is at stake when we read and write fiction.

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Wood is well worth reading,as always, persuasive & potent!

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fiction is the knownly best metaphor of life, thus the nearest thing to life. As life can never be described the same as anything solid in this world, it can only be reproduced resembling infinitely to the original in the past through the way of creating metapherical feelings and sensations.

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在讀The Blue Flower時,正好第一章提到,好興奮。雖然抓不著這些講稿的重點,但是聽他聊聊各種小說也是愜意的事。

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從生活察覺的小說,到小說撞擊的生活

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fiction is the knownly best metaphor of life, thus the nearest thing to life. As life can never be described the same as anything solid in this world, it can only be reproduced resembling infinitely to the original in the past through the way of creating metapherical feelings and sensations.

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