The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025


The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno

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Gillian Rose 作者
Verso
譯者
2013-12 出版日期
224 頁數
USD 17.95 價格
平裝
叢書系列
9781781681527 圖書編碼

The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 圖書標籤: 阿多諾  法蘭剋福學派  哲學  critical_theory  Adorno   


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The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025



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The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 著者簡介


The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 著者簡介


The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno 在線電子書 圖書描述

The Melancholy Science is Gillian Rose’s investigation into Theodor Adorno’s work and legacy. Rose uncovers the unity discernable among the many fragments of Adorno’s oeuvre, and argues that his influence has been to turn Marxism into a search for style. The attempts of Adorno, Lukács and Benjamin to develop a Marxist theory of culture centred on the concept of reification are contrasted, and the ways in which the concept of reification has come to be misused are exposed. Adorno’s continuation for his own time of the Marxist critique of philosophy is traced through his writings on Hegel, Kierkegaard, Husserl and Heidegger. His opposition to the separation of philosophy and sociology is shown by examination of his critique of Durkheim and Weber, and of his contributions to the dispute over positivism, his critique of empirical social research and his own empirical sociology.

Gillian Rose shows Adorno’s most important contribution to be his founding of a Marxist aesthetic that offers a sociology of culture, as demonstrated in his essays on Kafka, Mann, Beckett, Brecht and Schönberg. Finally, Adorno’s ‘Melancholy Science’ is revealed to offer a ‘sociology of illusion’ that rivals both structural Marxism and phenomenological sociology as well as the subsequent work of the Frankfurt School.

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