Albrecht Dürer and the Epistolary Mode of Address 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Shira Brisman 作者

University Of Chicago Press

譯者

2016 出版日期

320 頁數

USD 55 價格

Hardcover

叢書系列

9780226354750 圖書編碼

Albrecht Dürer and the Epistolary Mode of Address 在線電子書圖書標籤: 闡釋學藝術史文藝復興德國 westart

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發表於2024-09-30

Albrecht Dürer and the Epistolary Mode of Address 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Albrecht Dürer and the Epistolary Mode of Address 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Albrecht Dürer and the Epistolary Mode of Address 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Albrecht Dürer and the Epistolary Mode of Address 在線電子書著者簡介

Albrecht Dürer and the Epistolary Mode of Address 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Albrecht Dürer and the Epistolary Mode of Address 在線電子書圖書描述

Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication.

In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.

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