Curating Revolution

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出版者:Cambridge University Press
作者:Denise Y. Ho
出品人:
页数:322
译者:
出版时间:2018-1-31
价格:USD 99.99
装帧:Hardcover
isbn号码:9781108417952
丛书系列:Cambridge Studies in the History of the People's Republic of China
图书标签:
  • 历史 
  • 文化史 
  • 历史学 
  • 博物馆 
  • 中国当代史 
  • PRC文化史 
  • 海外中国研究 
  • 中共党史 
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How did China’s Communist Revolution transform the nation’s political culture? In this rich and vivid history of the Mao period (1949-1976), Denise Y. Ho examines the relationship between its exhibits and its political movements, arguing that exhibitions made revolution material. Case studies from Shanghai show how revolution was curated: museum workers collected cultural and revolutionary relics; neighborhoods, schools, and work units mounted and narrated local displays; and exhibits provided ritual space for both ideological lessons and political campaigns. Using archival sources, ephemera, interviews, and other historical materials, Curating Revolution traces the process by which exhibitions were developed, presented, and received. Its examples range from the First Party Congress Site and the Shanghai Museum to the “class education” and Red Guard exhibits that accompanied the Socialist Education Movement and the Cultural Revolution. With its socialist museums and new exhibitions, the exhibitionary culture of the Mao era operated in two modes: that of a state in power and that of a state in revolution. Both reflecting and making revolution, these forms remain part of China’s revolutionary legacy today.

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平铺直叙而已,了无新意。

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用时空的物质化编写PRC革命与建设的合法性与正当性,本来就是感兴趣的题目,越读越发现操作材料的手法颇为高明,非常好读

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文化史路徑討論毛時代展覽與政治運動關係,包含兩種運作模式(權力中的國家/革命中的國家),部分經驗既承繼民國亦延續到后毛時代(斷裂/延續性),共構為文化正當性工程一部分。章3和6最精彩,章1較遜(洪長泰風格明顯),沿著本真性和時間性建構,應能突破更多。材料系統;寫作有技巧,與裴宜理對話緊密,穿插法國大革命和蘇聯研究。對作者正在進行研究感興趣,“Border Crossings: Hong Kong and Shenzhen at Empires’ Edge”。

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Is this Yale standard?

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上次研討會邀請Denise來讀了她的書,其實同期有不少這個話題的作品,縱觀大多觀點天馬行空的論述,她的優點就是觀點從紮實的材料分析中得出,瓷實。

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