The Unwomanly Face of War

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Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”

出版者:Random House
作者:Svetlana Alexievich
出品人:
页数:384
译者:Richard Pevear
出版时间:2017-7-25
价格:USD 30.00
装帧:Hardcover
isbn号码:9780399588723
丛书系列:
图书标签:
  • 纪实文学 
  • 苏联卫国战争 
  • 女性 
  • 历史 
  • 诺贝尔文学奖 
  • 白俄罗斯 
  • 外国文学 
  • 纪实 
  •  
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For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”

In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.

Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.

Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.

“But why? I asked myself more than once. Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? They did not believe themselves. A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women’s history.”—Svetlana Alexievich

THE WINNER OF THE NOBEL PRIZE IN LITERATURE

“for her polyphonic writings, a monument to suffering and courage in our time.”

具体描述

读后感

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年少时,我曾痴迷于图书上,电影里,游戏中那驰骋疆场,雄才大略,横刀立马的大将军,梦想有一天,自己能够统率千军,南征北战,但有那么一天,当你穿上戎装奔赴疆场,炮弹划破云霾,发出着尖利的叫声,在地面上砸出大坑。四散的土块,死人的肢体乱飞一气,天空中下着小雨,你...  

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——评《我是女兵 也是女人》 文/蓦烟如雪 “祖国履行了我的责任,可我却会为自己打过仗而忧伤,为我所知道的一切而难过。”这一句话,就可以道尽了整本书的内核,这是一本痛苦的书,也是一本真相的书。 阿列克谢耶维奇在写这本作品的时候,周边了全国,几十趟的旅行,数百盒...  

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如果可以选择,这本书里的任何一个女人大概都不会选择战争吧! 但战争从未给过她们选择的机会。 作者在后记里说,自己从未喜欢过战争书籍,她是卫国战争的孩子,小时候从不知道没有战争的世界是怎样的,那么她的这本书,就是为了告诉今人有战争的世界是怎样的。 所以,这本书写...  

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记得小时看过一部露天电影叫《战争,让女人走开》,具体印象不深刻,电影内容很符合名字,意思就是战争这东西,属于男人游戏,女人只能做游戏创伤的抚慰者。但是在二战期间,尤其苏联时代,刚开始的大溃败以及在武装到牙齿第三帝国强大的攻击下,苏联兵力损失巨大外,加...  

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年少时,我曾痴迷于图书上,电影里,游戏中那驰骋疆场,雄才大略,横刀立马的大将军,梦想有一天,自己能够统率千军,南征北战,但有那么一天,当你穿上戎装奔赴疆场,炮弹划破云霾,发出着尖利的叫声,在地面上砸出大坑。四散的土块,死人的肢体乱飞一气,天空中下着小雨,你...  

用户评价

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感動. 在戰場上收集一個月的紗布做婚紗這種事情, 只有女性才做得出來啊

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这是一本关于痛苦的书,也是一本关于真相的书。作者走访了上百位曾在苏德战争(伟大卫国战争)时期参战的苏联女兵,倾听她们的诉说,记录她们的苦难,然后用一段段真实的回忆文字,向读者展示被宏大叙事和辉煌胜利所掩盖的无数普通人的牺牲和泪水。在春节假期的这几天,我无数次地被残酷的真相所震撼,被高贵的人性所感动……

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怎么说呢,感觉还是有些流于感伤的人道主义的表面了,战争与女性能说的绝不仅仅只是个人的创伤;

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"For me one human being is so much." I LOVE Alexievich's impeccable curation, thanks to which the powerful voices of women soldiers', and thus human spirits, got to be preserved in this powerful book. War is brutal. But human feelings are bigger. Oh and the star couple translators in Volokhonsky and Pevear makes this English version even better.

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如果去掉作者唠唠叨叨的前十章就更好了…

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