Suyoung Son is Assistant Professor of Asian Studies at Cornell University
This book examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation.
Combining approaches from various disciplines, such as history of the book, literary criticism, and bibliographical and textual studies, Suyoung Son reconstructs the publishing practices of two seventeenth-century literati-cum-publishers, Zhang Chao in Yangzhou and Wang Zhuo in Hangzhou, and explores the ramifications of these practices on eighteenth-century censorship campaigns in Qing China and Chosŏn Korea. By giving due weight to the writers as active agents in increasing the influence of print, this book underscores the contingent nature of print’s effect and its role in establishing the textual authority that the literati community, commercial book market, and imperial authorities competed to claim in late imperial China.
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技術革新,手抄本傳統仍然遺留在刻本生產中;圈内評議、經濟效益成爲評價作品價值的重要因素,挑戰了强調道德標準的統治者權威。
评分导的新书,第二章讨论张潮《幽梦影》的出版,细致中颇见功力,力赞一波~
评分技術革新,手抄本傳統仍然遺留在刻本生產中;圈内評議、經濟效益成爲評價作品價值的重要因素,挑戰了强調道德標準的統治者權威。
评分导的新书,第二章讨论张潮《幽梦影》的出版,细致中颇见功力,力赞一波~
评分技術革新,手抄本傳統仍然遺留在刻本生產中;圈内評議、經濟效益成爲評價作品價值的重要因素,挑戰了强調道德標準的統治者權威。
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