The Artist as Producer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Artist as Producer

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Gough, Maria 作者
Univ of California Pr
譯者
2005-5 出版日期
268 頁數
$ 73.45 價格
HRD
叢書系列
9780520226180 圖書編碼

The Artist as Producer 在線電子書 圖書標籤: 現代主義   


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發表於2024-12-23

The Artist as Producer 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Artist as Producer 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Artist as Producer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



The Artist as Producer 在線電子書 用戶評價

評分

很乖巧的一本藝術史。比較驚訝Spengler於Constructivists的聯係。

評分

很乖巧的一本藝術史。比較驚訝Spengler於Constructivists的聯係。

評分

很乖巧的一本藝術史。比較驚訝Spengler於Constructivists的聯係。

評分

很乖巧的一本藝術史。比較驚訝Spengler於Constructivists的聯係。

評分

很乖巧的一本藝術史。比較驚訝Spengler於Constructivists的聯係。

The Artist as Producer 在線電子書 著者簡介


The Artist as Producer 在線電子書 著者簡介


The Artist as Producer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Artist as Producer 在線電子書 圖書描述

The Artist as Producer reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. The Artist as Producer upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. The Artist as Producer offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.

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