When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar.
具體描述
讀後感
1. Ideology of the Gallery Space In his book Inside the White Cube, the Ideology of the Gallery Space (which consists of three essays he first published in the magazine Artforum in 1976), O' Doherty tries to make explicit the ideology that underlies the mo...
評分1. Ideology of the Gallery Space In his book Inside the White Cube, the Ideology of the Gallery Space (which consists of three essays he first published in the magazine Artforum in 1976), O' Doherty tries to make explicit the ideology that underlies the mo...
評分1. Ideology of the Gallery Space In his book Inside the White Cube, the Ideology of the Gallery Space (which consists of three essays he first published in the magazine Artforum in 1976), O' Doherty tries to make explicit the ideology that underlies the mo...
評分1. Ideology of the Gallery Space In his book Inside the White Cube, the Ideology of the Gallery Space (which consists of three essays he first published in the magazine Artforum in 1976), O' Doherty tries to make explicit the ideology that underlies the mo...
評分1. Ideology of the Gallery Space In his book Inside the White Cube, the Ideology of the Gallery Space (which consists of three essays he first published in the magazine Artforum in 1976), O' Doherty tries to make explicit the ideology that underlies the mo...
用戶評價
Where am I supposed to stand? This question doesn't only ask people where they should stand spatially in the gallery, but also ask people how their perceptions of the art work are changed by the gallery space. Gallery space starts to have influence on one’s perception and becomes reflective of modernism, being the content rather than the context. M
评分太精彩瞭，辛辣，富有見地，尤其是那段對兩種觀看角色Eyes和Spectator的辯證分析。
评分Where am I supposed to stand? This question doesn't only ask people where they should stand spatially in the gallery, but also ask people how their perceptions of the art work are changed by the gallery space. Gallery space starts to have influence on one’s perception and becomes reflective of modernism, being the content rather than the context. M
评分有的人的腦袋裏就像住瞭一個精靈 玩弄起語言來真不是蓋的! a mental nomad writes a book of whimsy, wildness and intricacy!
评分Where am I supposed to stand? This question doesn't only ask people where they should stand spatially in the gallery, but also ask people how their perceptions of the art work are changed by the gallery space. Gallery space starts to have influence on one’s perception and becomes reflective of modernism, being the content rather than the context. M
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