This text reconnects "M" to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes "M" as a modernist artwork. He also analyzes Joseph Losey's 1951 film noir remake.
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Here's again defied Kracauer's pre-wartime National Labour Service totalitarian critic/plot towards Weimar cinema.
评分把电影从头到尾分析一遍 透彻过瘾 作者文笔真好
评分写得真好
评分原来彼得洛不会吹口哨，是弗里茨朗帮他吹的
评分把电影从头到尾分析一遍 透彻过瘾 作者文笔真好
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