This text reconnects "M" to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes "M" as a modernist artwork. He also analyzes Joseph Losey's 1951 film noir remake.
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Here's again defied Kracauer's pre-wartime National Labour Service totalitarian critic/plot towards Weimar cinema.
评分把电影从头到尾分析一遍 透彻过瘾 作者文笔真好
评分Here's again defied Kracauer's pre-wartime National Labour Service totalitarian critic/plot towards Weimar cinema.
评分把电影从头到尾分析一遍 透彻过瘾 作者文笔真好
评分另一電影monograph典範，史料、演繹、分析、文字風格均高水準，insight多得看過後看過電影的都只能說沒看過電影本身。
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