Beata Grant renders a great service by recovering and translating the enchanting verse — by turns assertive, observant, devout — of forty-eight nuns from sixteen centuries of imperial China. This selection of poems, along with brief biographical accounts that accompany them, affords readers a glimpse into the extraordinary diversity and sometimes startling richness of these women's lives. Daughters of Emptiness includes original hand-drawn calligraphies of each poet's name, as well as the poems in their original Chinese, alongside the translations.
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儘日尋春不見春，芒鞋踏遍嶺頭云。歸來笑撚梅花嗅，春在枝頭已十分。p29. 隋唐：梅花尼
评分儘日尋春不見春，芒鞋踏遍嶺頭云。歸來笑撚梅花嗅，春在枝頭已十分。p29. 隋唐：梅花尼
评分儘日尋春不見春，芒鞋踏遍嶺頭云。歸來笑撚梅花嗅，春在枝頭已十分。p29. 隋唐：梅花尼
评分儘日尋春不見春，芒鞋踏遍嶺頭云。歸來笑撚梅花嗅，春在枝頭已十分。p29. 隋唐：梅花尼
评分儘日尋春不見春，芒鞋踏遍嶺頭云。歸來笑撚梅花嗅，春在枝頭已十分。p29. 隋唐：梅花尼
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